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The Piano Book/graymarket pianos

The Piano Book/graymarket pianos

2007-09-01 by Carol Beigel

I recommend to all who want to know about pianos, The Piano Book  - Buying & 
Owning a New or Used Piano, by Larry Fine.  There is probably a copy in your 
local library or you can buy it on Amazon.com.  The book is updated every 
few years and can explain a lot about construction and parts in pianos.

Also, when talking about gray market pianos, we are talking about older, 
very used pianos; not new ones.  There are no brand new gray market 
disklaviers.  Over the years these pianos have come from different 
factories, were of different designs, used different parts, and sometimes 
the model number did not change, but the piano did - drastically.  The U1 
upright is a good example.  When talking about soldered boards in some gray 
market disklaivers, I did not mean to imply that all connections were 
soldered.  The ones you can clearly see have connectors, it's just the ones 
buried behind the display  boards that I have seen soldered.  Part numbers 
change quite often, so what was available 10 years ago may not be available 
today.

Several years ago, Yamaha sold 5 different models of grand pianos that were 
the same size, and one of the best of them was not sold in the U.S..  I 
think all grand pianos must look alike on the showroom floor and all the 
different design features can be quite confusing.  When looking at a piano 
you don't know how the things you cannot see are made.  It is there that 
compromises can be made to fit a price point.  I am certain that when 
confronted with two products that look identical, and the prices are many 
thousands of dollars apart, it is difficult to appreciate the differences. 
But these difference are very real and affect performance and tone.

Educate yourselves about how pianos are designed and made.  Learn about wood 
technology and the art of wood seasoning.  Find out for yourselves how 
plates can be cast to be srong enough to use fewer back supports, how 
soundboards can be laminated or quartersawn, why key height is so important 
to piano design, how wood glues have changed, how the quality of lumber has 
changed, metal plating techniques, and stringing scale design.  STudy the 
manufacturing techniques that build moth and rodent proofing into the 
cloth,and how that might affect the properties of the wool;  piano hammer 
making, and learn about the design of piano action geometry.  Study friction 
and key weighing.  These are just some of the things you will never detect 
variances in on the showroom or factory floor.  If you then conclude that 
all pianos made by a manuafacturer brand are the same all over the world, 
you were probably drinking too much beer while reading..  The piano is over 
300 years old.  Disklaviers are a particularly wonderful accessory to the 
piano  the idea is to enjoy them!

Discussion is a healthy way to get information and you don't need to believe 
everything you read.  I certainly do not take it personally when someone 
does not agree with me, and in some cases I have been wrong.  But not 
often:)

Enjoy your disklaviers.

Carol Beigel

----- Original Message ----- 
Show quoted textHide quoted text
From: "rondisklavier" <setiawansr@...>
To: <disklavier@yahoogroups.com>
Sent: Friday, August 31, 2007 12:35 PM
Subject: [disklavier] Re: gray market disklaviers (was owners manual)


> Excellent questions! My doubts start from the same questions.
>
>
>
> --- In disklavier@yahoogroups.com, Mark <marcus@...> wrote:
>
>> What other markets require US standards for drying?  Are there no
> homes
>> in northern Europe or Asia with forced air heat and/or very dry
> winter
>> air?  Do these homes import US market pianos?
>> Respectfully,
>> Mark
>>
>
>
>
>
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