Dotcomformat

Hi Morb,

Thanks for the glowing report, thanks too, Dana.

Morb, I know you sent a post in to the old forum, regarding the
MS2000, many moons ago. When I went back I couldn't find it, sorry if
I made you repeat yourself.

There are a fair few available, here in England, so I'm in no hurry to
snap one up. Right now more of Rogers 'essential' modules are more
important.

It's really good to see so many familiar faces have moved over to this
forum (thanks Larry, and I've uploaded a pic into the 'Clive' folder,
just so peole know that you can just start by purchasing one
oscillator and then adding month on month :-) ).

Finally Jay, if your reading this, many thanks for inviting me to your
group and for acceding so generously to Larry.

Best regards to all,

Clive.

--- In dotcomformat@yahoogroups.com, "Rich" <morbius001a@y...> wrote:
> --- In dotcomformat@yahoogroups.com, "analogue_ip3" <analogue@i...> 
> wrote:
> > Hi Morb,
> > 
> > Thats a nice pic.
> > 
> > Have you used the sequencer in the MS2000 with the Dotcom (via 
> midi)?
> > 
> > I have had my eye on the MS2000 for some time, it would be nice to
> > know if its horizons could be expanded.
> > 
> > All the best,
> > 
> > Clive.  
> 
> Hey Clive -
> 
> To be quite honest... I consider the Korg MS-2000 to be a pretty 
> bitchin' little synth. Yes... it'll MIDI to my dotcom quite well
with 
> sequencer or apreggiator. It's considered an 'analog modeling' 
> synth... and kinda reminds me of what the ARP Oddessey was way back 
> then. It's somewhat patchable (internal patching), and gives you
the 
> best of both worlds of analog and digital.
> 
> It's got onboard phasing/flanging and delay; 2 osc.'s, one with
DWGS 
> wave; 3 x 16 sequencer (assignable pots for alot of stuff,
including 
> timing); Korg's famous arp; reversible pots for most everything; 2 
> LFO's with multiple waves & S/H; 2 EG's; +24/+12 
> lowpass/bandpass/highpass filters; digital memory & presets; mic & 
> line level inputs (which I actually use a good deal); vocoder;
stereo 
> outputs; pitchbend & mod wheel; keyboard octave switching (four
voice 
> polyphony); and you can set it up to play as two seperate synths
for 
> very complex live patches and sounds... and a slew-gobble of more 
> stuff.
> 
> Ya know... if I was only allowed to have just one synth, or had
very 
> little room and/or money, but wanted to have an extremely versatile 
> synth, or for playing live and for experimentation... I would 
> probably go with the MS-2000. The newer model has a mic on a 
> gooseneck built-in, but I'm not sure what other goodies have been 
> added (if any).
> 
> It's a way-kewel little synth, and I say that being an owner of
both 
> a decent sized dotcom modular, and a Yamaha Motif ES-8 workstation 
> (among other things). I would really recommend it for live gigs 
> (quick and easy to transport and nearly zero to set up & strike),
and 
> also for also those who can't really afford a modular, and want a
lot 
> of bang for the buck. If you check one out a music store, just play 
> the demo songs... that will give you a good idea of just some of
it's 
> potential.
> 
> ~Morbius~