Elektron Musical Instruments

Yeah, and as an extension of that, you could a make  two octaves-- one midimachine on each track, tweak out a pattern live and then record it down to another sequence and repeat.
> 
> 
> <tt>
> ><BR>
> >yes, i know, it's a drummachine, not a groovebox... but what for example<BR>
> >speaks against that the 16 step keys could be misused for entering pitch<BR>
> >data via a special key combination...?<BR>
> ><BR>
> <BR>
> You could try something a friend turned me on to, which I had never thought of for some<BR>
> reason: I was used to using one midimachine per synth I was sequencing: while we were both<BR>
> punching up patterns, he configured his md with multiple midimachines, all transmitting on<BR>
> the same channel, and then set separate notes for each.� This way you can enter real-time<BR>
> record and play eight or more notes into the sequence, just like a piano.� Not sure if<BR>
> this is what you were getting at, but it's certainly a powerful method that I had<BR>
> overlooked.� (cheers David)<BR>
> <BR>
> To gab: yeah, the midimachines are powerful, especially the ability to send out LFOs to<BR>
> modulate any midi CC values, and the ability to set those values for each individual step.<BR>
> <BR>
> jvs<BR>
> </tt>
> 
> 
> 
> <br>
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> </br>
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> 


--

Yeah, and as an extension of that, you could a make  two octaves-- one midimachine on each track, tweak out a pattern live and then record it down to another sequenceR and repeat.
> 
> 
> <tt>
> ><BR>
> >yes, i know, it's a drummachine, not a groovebox... but what for example<BR>
> >speaks against that the 16 step keys could be misused for entering pitch<BR>
> >data via a special key combination...?<BR>
> ><BR>
> <BR>
> You could try something a friend turned me on to, which I had never thought of for some<BR>
> reason: I was used to using one midimachine per synth I was sequencing: while we were both<BR>
> punching up patterns, he configured his md with multiple midimachines, all transmitting on<BR>
> the same channel, and then set separate notes for each.� This way you can enter real-time<BR>
> record and play eight or more notes into the sequence, just like a piano.� Not sure if<BR>
> this is what you were getting at, but it's certainly a powerful method that I had<BR>
> overlooked.� (cheers David)<BR>
> <BR>
> To gab: yeah, the midimachines are powerful, especially the ability to send out LFOs to<BR>
> modulate any midi CC values, and the ability to set those values for each individual step.<BR>
> <BR>
> jvs<BR>
> </tt>
> 
> 
> 
> <br>
> <tt>Your use of Yahoo! Groups is subject to the <a href="http://docs.yahoo.com/info/terms/">Yahoo! Terms of Service</a>.</tt>
> </br>
> 
> </body></html>
> 


--

Speaking of midi-machines, does anyone else feel that the parameterlocks 
should work the other way around on the note parameter of the midimachines? 
I mean so there's always a parameterlock on the pitch, because if you're 
gonna do a sequence with it the whole idea is based on you locking the 
pitches so you can get different pitches thruout the pattern. Or is it just 
me?

/stryph

learn.to/stryph

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