EXS 24 Logic Sampler Users Group

This is way off topic but:

Never really seperate mixes for tape, cd etc.
Used to do sepearte mastering EQ's for CD/Tape/Vinyl.

For tape you would get an EQ to try and compensate for the 
Dolby Noise reduction that would eventually be applied.
Otherwise the sound just dependent on the level put to tape, 
whether it over saturated/ distorted the tape or not.

For vinyl you had to roll alot of the sub low end off of the eq  
otherwise the needle would just rumble and bounce off of the 
turntable, and I think the depth and width of the grooves required 
on the laquer for low end ate up alot of real estate for additional 
songs, etc.