2001-11-03 by Rubber Chicken Software Co.
At 02:02 PM 11/2/01 -0400, you wrote:
>Hey Garth. I'm I correct in understanding that Translator now converts
>SoundFont filter/mod data in addition to the raw sounds? It didn't the last
>time I tried this, but somebody mentioned on EXS users that it does.
It's "leaking" into the new 2.5 beta that is out. But actually, Translators
doesn't do SoundFont->EXS; it's a hole in the scheme that will be filled
shortly. We didn't do it right away because of the EXS's capability. (If
there's a bevy of complaints/dissatisfaction/need of features, do a
Denial-Of-Service to our e-mail and let us know.)
What happened is that we created a huge (comparatively) algorithm that
examines the amplitude envelope, filter cutoff, and resonance, and creates
groups to ajoin the Zones to give the Zones that individual capability;
plus it cuts the amounts of zones and groups down to the bare minimum; PLUS
it writes global parameters as deeply as possible. For example, if a Zone
wants a certain combination of filter envelope settings and filter
settings, and another zone wants a different type of setting, the algorithm
seeks either the best compromise, or just doesn't write it if it's too
weird. (There are people wanting an automatic "group-per-velocity range"
feature, which we are trying to horn in the whole mess. It's good idea, but
it's just a organizational tthing, since the Zones "do" velocity as is.)
This is on the Akai stuff now; and it's just a matter of time to adapt it
to the Roland, Emu, Kurzweil, SampleCell, and Ensoniq translations. Oh, and
the Soundfont one when it comes out.
CDXtract seems to do this with the "hi-res" translation in their new 3.6;
but I don't know how deep it goes. It can be a black art, especially when
you have to cheat so much with the EXS's global scheme.
>Just to let you know - Translator has a problem with large
>soundfonts I talked to the compony and they are working on a fix .
Can you e-mail us back on this; our fault, I think your request fell
through the cracks, because there isn't a SF->EXS translation in the first
place. Was that SF->Giga? (The problem there is that a .gig file can only
take 127 Instruments max, and some of these "super" SoundFonts have
numerous Preset/Instruments, and split files would have to be necessary.)
Oh, and a trailing question: In the blue editor, what is the common setting
for the "master volume?" Is it -12, or is 0 OK? Or does 0 clip, or is it
too hot? What do you think?
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| Garth Hjelte |
| Customer Service Representative, President |
| Chicken Systems, Inc, Rubber Chicken Software Co. |
| 714 5th Street SE |
| Willmar, MN 56201 USA |
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| 320-235-9798 Tech Support, Sampler Questions |
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