In einer eMail vom 04.08.00 17:04:21 (MEZ) - Mitteleurop. Sommerzeit schreibt bhelsloot@...: << I have to think about you message, there's a lot of information to spent a few hours with. I'm not opposed of artificial ways to produce music ( that,s why I use Logic). But my fear goes to the way of eliminating the human process of expression. And how can you for instance immitate a singer or a violinist. Besides this Stockhausen is working with metromome-beats like 56.25; what purpose does this serve? More will come. >> I would not try to "immitate" a singer or a violinst... except as pure experiment in order to learn something about the instrument and the way it's played... I may be interest in manipulate the singer's or violinist sound and probably mix the result with the original music played by the performer... trying to achieve a result making it impossible to distinguish what is reality and what is virtuality. I understand your preocuppation about expression, which I find totally legitimate. Concerning Stockhausen, he's a child of his time... with a strong obsession concerning number related structures... a more mystical approch to music than a rational one... as it was argued in this time. basto
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Re: [L-OT] European notation
2000-08-04 by BastoBerlin@aol.com
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