>But I simply don't see why so many people hate the majors. Please >explain to me. I'd love to understand your point of view (and I think I >can counter many arguments with reasonable facts). Subversion of art into enforced mediocrity. Here Japan mainstream pop is brutally stupid. It's the same boyband/girlband phenomenon you see in the US and Europe only while the BB/GBs account for probably 5~10% of the pop over there, here they are 60% or 70% and of the remaining 30~40%, half or more are manufactured products just like the BB/GBs the only difference being that they are individuals rather than groups. The BB/GBs here really take the phenomenon to it's extremes. They are extremely young, the groups are extremely large (Morning Musume has ten girls and was established when they were almost all under 14) and they are extremely bad. The majors here clearly like it that way because while real talent is unpredictable difficult to control and sometimes hard to find and manage, there will never ever be a shortage ambitious gullible mediocre teenagers who can be used and tossed away when they are worn out or they start getting uppity and hard to manage. Exhibit A: SmapXSmap the reigning kings of the genre have four members three of which can't sing at all and the remaining one of whom can sing somewhat but is basically forced to sing badly so he doesn't stick out. They sing their songs in glorious four part unison, and even that is iffy. The listener is lucky if they all come together within a semitone of the melody and a 16th note of the beat. They don't write their own songs, the songs are written so as to be singable (almost) by people with their "musical abilities" and they can have a top ten hit whenever PonyCanyon (a Japanese label almost as big as Sony here) decides it's time, which is about half of the time in any given year. They dominate TV/Radio with their weekly variety show, appearances doing endorsements in commercials, "acting" in weekly dramas, and in major movies. These guys can't sing, can't act, and though they are athletic and extremely adept at following coreographed moves do not really dance gracefully. Basically they are smart ambitious young guys who were recruited as teenagers to become stars but really have no special talents but whose lack of same did not stop the majors from shoving them down the ever accommodating Japanese public's throats. The Japanese public and their seemingly complete lack of discrimination in matters of taste seems at least partly to blame but the majors work hard to keep them dumb 1. The majors control distribution for example PonyCanyon/Fuji TV same company. 2. Payola rules the radio (no pay no play period) no american style college stations and no airplay without a major budget for payola. 3. Radio alternatives are extremely limited because licensing is tightly controlled and there are quite few radio stations that you can hear in Tokyo so there is no real chance relief there. I know that Japan is an extreme case but it does seem to be an indication of what things are like when the Majors can do whatever they want.
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Re: [L-OT] re: (OT) Bad News in Music INdustry / So the music industry has legit thieves, now?
2002-02-24 by Dennis Gunn
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