A theoretical question
1999-11-18 by Arvid Solvang
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1999-11-18 by Arvid Solvang
A theoretical question here: If you have two stereo audio-files, both 16 bit - 44,1khz, and digitally mix them together you still only get a stereo audiofile 16 bit - 44,1khz. Is there then a theoretical degration of the sound quality? -- Arvid Solvang http://www.viagram.no/privat/arvid/ ICQ: 13008461
1999-11-19 by Arvid Solvang
>>Arvid Solvang wrote: >> >> If you have two stereo audio-files, both 16 bit - 44,1khz, and digitally >>mix them together you still only get a stereo audiofile 16 bit - 44,1khz. >> >> Is there then a theoretical degration of the sound quality? > >From: Bobo Mark <mark4@...> >If u don't any processing like EQ,compression. It should no degration. But wouldn't one track that has all these bits have higher resolution than two tracks having the same amount of bits? PS. I know that there are no audible differents I'm just not sure how this work theoreticly. -- Arvid Solvang http://www.viagram.no/privat/arvid/ ICQ: 13008461
1999-11-19 by Bobo Mark
Arvid Solvang wrote: > > From: "Arvid Solvang" <arvid@...> > > A theoretical question here: > > If you have two stereo audio-files, both 16 bit - 44,1khz, and digitally mix > them together you still only get a stereo audiofile 16 bit - 44,1khz. > > Is there then a theoretical degration of the sound quality? > If u don't any processing like EQ,compression. It should no degration. -- Regards Bobo mark ----------------- Producer/Engineer Artechnica Sound
1999-11-19 by Pamela or/and Lars
Arvid, My understanding was that the relative bit rate would decrease as tracks are added together, if they are not output at a higher bit rate. For example if you mixed 2 matching sine waves, each at 16 bit and zero db, the resultant amplitude and dynamic range would exceed the ability of the 16 bits to represent it accurately. So when they are output at 16 bits instead of having a sine wave with double the amplitude (and dynamic range) you have one with an identical amplitude to the first 2 sine waves. So therefore the relative dynamic range and bit depth was decreased during mixing to 16 bits. This is the same whether it is output as a file or to a D/A. This is a reason why intenal processing of 32 bits is superior; it allows the dynamic range to be greater and more accurate during computation. So when multiple audio tracks are mixed they have a much lower increase in amplitude than 2 identical sine waves but it still adds up and thus the output needs to be reduced when going from the internal (and usually greater) bit depth to the output bit depth. Now for a disclaimer. I do not know how accurate my interpretation of the situation is. I could be totally wrong here.... Lars H > From: "Arvid Solvang" <arvid@...> > > >>Arvid Solvang wrote: > >> > >> If you have two stereo audio-files, both 16 bit - 44,1khz, and digitally > >>mix them together you still only get a stereo audiofile 16 bit - 44,1khz.
> >> > >> Is there then a theoretical degration of the sound quality? > > > >From: Bobo Mark <mark4@...> > >If u don't any processing like EQ,compression. It should no degration. > > But wouldn't one track that has all these bits have higher resolution than > two tracks having the same amount of bits? > > PS. I know that there are no audible differents I'm just not sure how this > work theoreticly. > > -- > Arvid Solvang > http://www.viagram.no/privat/arvid/ > ICQ: 13008461 > > --------------------------- ONElist Sponsor
1999-11-19 by Pamela or/and Lars
Thinking about it more I just want to make a possible correction. > From: "Pamela or/and Lars" <pollen@...> > > > Arvid, > > My understanding was that the relative bit rate would decrease as tracks are > added together, if they are not output at a higher bit rate. For example if > you mixed 2 matching sine waves, each at 16 bit and zero db, the resultant > amplitude and dynamic range would exceed the ability of the 16 bits to > represent it accurately. So when they are output at 16 bits instead of > having a sine wave with double the amplitude (and dynamic range) I don't think the dynamic range would double because of the amount of energy to double the db's I think is in the order of 10 times. So although the dynamic range would be higher it would not be double. I think. you have > one with an identical amplitude to the first 2 sine waves. So therefore the > relative dynamic range and bit depth was decreased during mixing to 16 bits. > This is the same whether it is output as a file or to a D/A. This is a > reason why intenal processing of 32 bits is superior; it allows the dynamic > range to be greater and more accurate during computation. So when multiple > audio tracks are mixed they have a much lower increase in amplitude than 2 > identical sine waves but it still adds up and thus the output needs to be > reduced when going from the internal (and usually greater) bit depth to the > output bit depth. > > Now for a disclaimer. I do not know how accurate my interpretation of the > situation is. I could be totally wrong here.... > > Lars H > > > > From: "Arvid Solvang" <arvid@...> > > > > >>Arvid Solvang wrote: > > >> > > >> If you have two stereo audio-files, both 16 bit - 44,1khz, and > digitally > > >>mix them together you still only get a stereo audiofile 16 bit - > 44,1khz. > > >> > > >> Is there then a theoretical degration of the sound quality? > > > > > >From: Bobo Mark <mark4@...> > > >If u don't any processing like EQ,compression. It should no degration. > > > > But wouldn't one track that has all these bits have higher resolution than > > two tracks having the same amount of bits? > > > > PS. I know that there are no audible differents I'm just not sure how this
> > work theoreticly. > > > > -- > > Arvid Solvang > > http://www.viagram.no/privat/arvid/ > > ICQ: 13008461 > > > > --------------------------- ONElist Sponsor > >
1999-11-24 by Gilles Ruppert
No! When you digitally mix 2 audiofiles, there is no quality loss, as it is only a multiplication of values Cheers, Gilles Arvid Solvang wrote:
> If you have two stereo audio-files, both 16 bit - 44,1khz, and digitally mix > them together you still only get a stereo audiofile 16 bit - 44,1khz. > > Is there then a theoretical degration of the sound quality? >