Re: Digest Number 20
1999-11-21 by BRADFORD JENKINS
Does anyone know how I can group my faders? I'm trying to adjust 12 instrument tracks with one fader movement. Is this possible in LAP 4.04 (PC)? --- logic-ot@onelist.com wrote: > > --------------------------- ONElist Sponsor > ---------------------------- > > GRAB THE GATOR! FREE SOFTWARE DOES ALL THE > TYPING FOR YOU! > Tired of filling out forms and remembering > passwords? Gator fills in > forms and passwords with just one click! Comes with > $50 in free coupons! > <a href=" http://clickme.onelist.com/ad/gator4 > ">Click Here</a> > > ------------------------------------------------------------------------ > > There are 4 messages in this issue. > > Topics in today's digest: > > 1. Re: Digest Number 19 > From: BRADFORD JENKINS > <jenkinsbrad@...> > 2. OT: Excuse for a Drink!! > From: "Arvid Solvang" <arvid@...> > 3. Re: A theoretical question > From: "Pamela or/and Lars" > <pollen@...> > 4. Re: A theoretical question > From: "Pamela or/and Lars" > <pollen@...> > > > _______________________________________________________________________________ > _______________________________________________________________________________ > > Message: 1 > Date: Fri, 19 Nov 1999 07:08:45 -0800 (PST) > From: BRADFORD JENKINS <jenkinsbrad@...> > Subject: Re: Digest Number 19 > > There won't necessarily be degradation based on the > sample rate, but you may have phase cancellations > that > may cause the mixed files to sound lifeless. > > Try starting off with high quality stereo files, > convert sample rate to 48k/32bit (you may need a > prgm > like cooledit pro), merge the two files, then > convert > sample rate to 44k/16bit. I've found that the > texture > of the material sound much smoother when it's > upsampled then returned to CD quality rate. It's > also > preferred to be at the highest sample rate possible > when editing audio files. (the price you pay: more > hard drive space is used while at the higher sample > rates & it may take more time to edit). > > Hope this helps. > > --- logic-ot@onelist.com wrote: > > > > --------------------------- ONElist Sponsor > > ---------------------------- > > > > GRAB THE GATOR! FREE SOFTWARE DOES ALL THE > > TYPING FOR YOU! > > Tired of filling out forms and remembering > > passwords? Gator fills in > > forms and passwords with just one click! Comes > with > > $50 in free coupons! > > <a href=" http://clickme.onelist.com/ad/gator4 > > ">Click Here</a> > > > > > ------------------------------------------------------------------------ > > > > There are 3 messages in this issue. > > > > Topics in today's digest: > > > > 1. A theoretical question > > From: "Arvid Solvang" > <arvid@...> > > 2. Re: A theoretical question > > From: Bobo Mark <mark4@...> > > 3. Re: A theoretical question > > From: "Arvid Solvang" > <arvid@...> > > > > > > > _______________________________________________________________________________ > > > _______________________________________________________________________________ > > > > Message: 1 > > Date: Thu, 18 Nov 1999 19:02:04 +0100 > > From: "Arvid Solvang" <arvid@...> > > Subject: A theoretical question > > > > A theoretical question here: > > > > If you have two stereo audio-files, both 16 bit - > > 44,1khz, and digitally mix > > them together you still only get a stereo > audiofile > > 16 bit - 44,1khz. > > > > Is there then a theoretical degration of the sound > > quality? > > > > -- > > Arvid Solvang > > http://www.viagram.no/privat/arvid/ > > ICQ: 13008461 > > > > > > > > > > > > > _______________________________________________________________________________ > > > _______________________________________________________________________________ > > > > Message: 2 > > Date: Fri, 19 Nov 1999 14:04:33 +0000 > > From: Bobo Mark <mark4@...> > > Subject: Re: A theoretical question > > > > Arvid Solvang wrote: > > > > > > From: "Arvid Solvang" <arvid@...> > > > > > > A theoretical question here: > > > > > > If you have two stereo audio-files, both 16 bit > - > > 44,1khz, and digitally mix > > > them together you still only get a stereo > > audiofile 16 bit - 44,1khz. > > > > > > Is there then a theoretical degration of the > sound > > quality? > > > > > > > If u don't any processing like EQ,compression. It > > should no degration. > > -- > > Regards > > Bobo mark > > > > ----------------- > > Producer/Engineer > > Artechnica Sound > > > > > > > > > _______________________________________________________________________________ > > > _______________________________________________________________________________ > > > > Message: 3 > > Date: Fri, 19 Nov 1999 12:50:33 +0100 > > From: "Arvid Solvang" <arvid@...> > > Subject: Re: A theoretical question > > > > >>Arvid Solvang wrote: > > >> > > >> If you have two stereo audio-files, both 16 bit > - > > 44,1khz, and digitally > > >>mix them together you still only get a stereo > > audiofile 16 bit - 44,1khz. > > >> > > >> Is there then a theoretical degration of the > > sound quality? > > > > > >From: Bobo Mark <mark4@...> > > >If u don't any processing like EQ,compression. > It > > should no degration. > > > > But wouldn't one track that has all these bits > have > > higher resolution than > > two tracks having the same amount of bits? > > > > PS. I know that there are no audible differents > I'm > > just not sure how this > > work theoreticly. > > > > -- > > Arvid Solvang > === message truncated === ===== BRAD JENKINS LEAD, FOLLOW, OR SHUT THE HELL UP!!!