MOTM

and 2 cents to the first to guess the mystery intrument!

--- In motm@yahoogroups.com, "Mike Marsh <mmarsh@w...>" <mmarsh@w...> 
wrote:
> Some could make it as demos, but I was thinking more on the order 
of 
> let's hear *everything* that's out there!  Demos are usually pretty 
> targeted.
> 
> However, we could submit them to you for hosting with the 
> understanding that some may be picked as demos and we would give 
> permission (sort of in return for the hassle and cost of hosting).
> 
> When I get home tonight, I'll send Paul an MP3 of "Pollock #1 2002" 
> as my initial contribution.  I was watching a documentary and then 
a 
> feature film on the life of Jackson Pollock and this was my first 
> attempt at "action music" (as opposed to "action painting").  Paint
> (timbre) swirls of different tempo and location with bursts of 
color 
> and other stuff...BTW, there are 4 in the Pollock series.  I like 
#1 
> best.
> 
> Mike
> 
> --- In motm@yahoogroups.com, "Paul Schreiber" <synth1@a...> wrote:
> > > How about we start an uncompetition?  People submit a piece, a
> > > description, it gets hosted somewhere and people comment on the
> > > work.  No winners or losers, just a chance to hear fellow 
MOTMers'
> > > work.
> > 
> > 
> > Better yet: send them in as MOTM demos I can add to the website. 
I 
> need '190 RM demos,
> > especially. The demo files are getting 'rusty' in some cases. 
Demos 
> are the #1 reason quoted for
> > interest in MOTMs (well, it's not the low cost <snicker>). I'll 
> take CD- *if* you put your NAME
> > on the CD (I have 4 mystery CDs laying on the shelf). They don't 
> have to be the next Wendy
> > Carlos. Rather, many people ask about signal processing (vocals, 
> guitar, etc) and I want to have
> > a dedicated demo section just on running external signals.
> > 
> > Paul S.