fantastic! just precious...
-----Original Message-----
From: John Wright <john.wright@consona.com>
To: newmellotrongroup@yahoogroups.com
Sent: Wed, Sep 30, 2009 1:56 pm
Subject: RE: [newmellotrongroup] Re: Mellotron film in London...
I'd bet there are a lot of folks on this list that are,
or were, Volkswagen owners. I'm talking about the aircooled variety.
If you did not maintain them, you were hosed.
John
#911
From: newmellotrongroup@yahoogroups.com
[mailto:newmellotrongroup@yahoogroups.com] On Behalf Of Gary
Brumm
Sent: Wednesday, September 30, 2009 12:34 PM
To:
newmellotrongroup@yahoogroups.com
Subject: RE: [newmellotrongroup] Re:
Mellotron film in London...
“Mellotrons should be like Harleys”……Great
analogy Frank!!
From: newmellotrongroup@yahoogroups.com
[mailto:newmellotrongroup@yahoogroups.com] On Behalf Of
lsf5275@aol.com
Sent: Tuesday, September 29, 2009 9:14
PM
To: newmellotrongroup@ya hoogroups.com
Subject:
Re: [newmellotrongroup] Re: Mellotron film in
London...
Clay,
Before we close
out this subject, I want to say that some of Chris' points were well made. I too
think Dianna should have further investigated the background a little more. It's
not just about Harry Chamberlin or Chilton & his partner Ir
ving Talentmaker.
There's so much more...
I would have
liked to see the film include more on what lead up to using recording tape to
play back other peoples instruments. Perhaps a small section explaining how
recording tape stores and plays back sound. Actually, I've always wondered how
they get the oxide to stick to the tape. Oh, and how the oxide was invented...
who thought that up?
When one
thinks about Harry Chamberlin, who doesn't wonder about that garage where he
made his first instruments. Who built the garage? Did Harry's wife (Ethel) ever
yell at him to stop fooling with his inventions and wash up for
lunch?
And Optigans...
They have to be in the film so that people know that there was actually a
shittier way to reproduce real instrument sounds for playback on a keyboard than
the Mellotron. Where's the fucking perspective? How else would people actually
know that Harry's technology reached its pinnacle with the Mellotron and that
any attempts to advance beyond that were just a giant nosedive into a pile of
crap.
God love the
M4000, but it is, after all just a brand new Edsel with a better motor, stickier
tires and a substantially larger trunk (boot). *
So if your going
to make a movie about Mellotron, fuck Kanye, tell us more about something
important, like how Harry Chamberlin came up with the id e a to house the20
mechanics in a Formica box years before Jimmy Moore stole the idea for his
Mellotron.
Was Mattel the
only toy maker to try to build a crappy Mellotron rip off, or was Hasbro
thinking of getting into the business as well? Where's the research I ask you?
Where is the perspective.
Do you realize
that there's video out there of Mattias Olsen playing wine glasses on his
Mellotron? Where does anyone thank Ben F**king Franklin for actually playing
music on real wine glasses 250 years before Mattias even existed? Where's the
perspective?
Mellotrons should
be like Harleys... Only old fuckers should have
one.
Frank
My
Mellotron
My Harley (Yeah,
it's a Shovel Head)
* I love mine so
no one freak out.
In a message
dated 9/29/2009 10:42:36 P.M. Eastern Daylight Time, ecclesreinson@rogers.com
writes:
--- In newmellotrongroup@yahoogroups.com,
Chris Dale wrote:
> You're lucky I'm not the moderator here. Your
sneaky dishonest ass would be gone.
I am BORED to death with this story
Chris. Please take your issue with Mattias offline. Nobody gives a shit about
it here but you.
I will not be removing anyone from this group. Mattias
is welcome to post messages here20anytime. Hopefully you haven't frightened him
away.
ClayMessage
Fwd: [newmellotrongroup] Re: Mellotron film in London...
2009-09-30 by fdoddy@aol.com
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