Re: [newmellotrongroup] Re: Tape echo and spring reverb
2010-10-11 by william Beith
When Brian Wilson lived near me (in St. Charles Illinois, 1998) and released his record Imagination, I was able to visit his house/home studio and write an
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2010-10-11 by william Beith
When Brian Wilson lived near me (in St. Charles Illinois, 1998) and released his record Imagination, I was able to visit his house/home studio and write an
2010-10-11 by ClayE
He s got the qualifications to be a good tea party candidate. I like the ohm meter part.
2010-10-11 by john barrick
well, admittedly that s one of the bugs still to be ironed out.
2010-10-11 by Rick Blechta
... Actually, that was last week.
2010-10-11 by Pomeroy RH Ranch
Bill - fascinating stuff. Generally prefer plates for recording. For live, a Hammond long-spring coupled with my (noisy) DOD Analog Delay stomp-box is
2010-10-11 by lsf5275@aol.com
_http://www.youtube.com/watch?v=wwofL_gF0Wk_ (http://www.youtube.com/watch?v=wwofL_gF0Wk) In a message dated 10/11/2010 2:36:48 P.M. Eastern Daylight Time,
2010-10-11 by lsf5275@aol.com
I found this photo of Rick from many years ago. (http://en.wikipedia.org/wiki/File:ManWearingTinFoilHat.jpg) In a message dated 10/11/2010 1:38:53 P.M. Eastern
2010-10-11 by Sean
I thought it was just horrendously bad fashion sense. :)
2010-10-11 by Rick Blechta
... Same here -- and it was FABULOUS with a bit of echoplex on a separate output, I got the best sound ever. We also tried dividing the signal into 3 with a
2010-10-11 by Mark Wallis
I get a great sound from a WEM Copicat tape echo and WEM Audiomaster mixer/spring reverb. The Copicats are basic but well worth having and still comparatively
2010-10-11 by william Beith
For the Brick Audio plate we chose stainless steel to avoid the rust problem associated with the cold rolled steel of the EMT plates. I worked for Gibson
2010-10-11 by Thomas C. Doncourt
I ve heard of the Brick plates before. Never played the tron through one but would like to. I ve recorded with an EMT gold plate- the old Delta studio had one.
2010-10-11 by gino wong
Univox echos can be had cheap., kind ve basic. If you are lucky enough to get a tape echo, don t forget to use back lubricated tape. It can still be had
2010-10-10 by william Beith
I build plate reverberation units and hold a patent on one under the name Brick Audio. If anyone has an interest I can send a pdf of the manual. Alas....I do
2010-10-10 by john barrick
But Sean, tinfoil is perfect for shielding your mind from alien and liberal thought-control waves...
2010-10-10 by Rick Blechta
... That s just because I tend to be a nicer person in general.
2010-10-10 by Sean
There are certainly some tea-party loonies out there. I ll also state there are some great ideas floating about those places too. I try to stay around the
2010-10-10 by Sean
I ve never run across a real spring or plate unit. If anyone has one, would you do a side by side comparison of spring and plate reverb for the Melly? Thanks.
2010-10-10 by Mark Pring
and thats wronger than what Rick does. ... From: Mike Dickson Subject: Re: [newmellotrongroup] Re: Orchestrion becomes self-aware and
2010-10-10 by Mike Dickson
Why do you say that? I think he s about as wrong as it s possible to get.
2010-10-10 by Mike Dickson
Glass http://www.youtube.com/watch?v=0lqMYXKn0Sc http://www.youtube.com/watch?v=pNrLbh3c4-M http://www.youtube.com/watch?v=wn0YpBZGrOA
2010-10-10 by Rick Blechta
... Clear indication that you may be a mellotron owner.
2010-10-10 by lsf5275@aol.com
I love that guy, even if he can t spell Sebastian. In a message dated 10/9/2010 9:52:01 P.M. Eastern Daylight Time, markpringnz@yahoo.com writes: Johann
2010-10-10 by Mark Pring
I have no werd ... From: fdoddy@aol.com Subject: Re: [newmellotrongroup] Re: Orchestrion becomes self-aware and replicates To:
2010-10-10 by Mark Pring
I probably am Rick, well I usually am anyway, the annoying thing is that there is no way of proving it, I believe that Bach was a greater composer than what I
2010-10-10 by Mark Pring
Woof ... From: fdoddy@aol.com Subject: Re: [newmellotrongroup] Re: Orchestrion becomes self-aware and replicates To:
2010-10-10 by fdoddy@aol.com
werd ... From: Rick Blechta To: newmellotrongroup@yahoogroups.com Sent: Sat, Oct 9, 2010 9:00 pm Subject: Re: [newmellotrongroup] Re:
2010-10-10 by fdoddy@aol.com
Woah! Yo dog! You been hangin wit Mike D ? ... From: Mark Pring To: newmellotrongroup@yahoogroups.com Sent: Sat, Oct 9, 2010 8:14 pm
2010-10-10 by Rick Blechta
... Boy, do I think you re wrong. Rick
2010-10-10 by Mark Pring
This is what I mean: http://www.youtube.com/watch?v=0jS6o4vrqlU It s not one of mine, it is a bit slow though. Mark ... From: Mark Pring
2010-10-10 by Mark Pring
Great stuff, it don t mean a thing if it has got that swing. ... From: lsf5275@aol.com Subject: Re: [newmellotrongroup] Re: Orchestrion
2010-10-10 by Pomeroy RH Ranch
sick....just sick
2010-10-10 by Mark Pring
I think sloppy suits music composed after Bach but not before. Apart from Gould and Tureck some of my favourite Bach is direct midi output, more often than not
2010-10-09 by lsf5275@aol.com
Here s something fun... _http://home.swipnet.se/~w-22134/nmm/_ (http://home.swipnet.se/~w-22134/nmm/) In a message dated 10/9/2010 6:56:40 P.M. Eastern
2010-10-09 by ClayE
I think that the Orchestrion s midi triggered solenoids / hammers have an advantage over midi triggered samples. The electro-mechanical parts introduce some
2010-10-09 by markpringnz
The effect is much the same as midi triggered samples. It lacks the flexability and variation of live musicians playing together. Obviously not suitable for
2010-10-08 by Tom Doncourt
That s good info!
2010-10-08 by Mark Pring
http://www.youtube.com/watch?v=mwZ_hMDzKmE ... From: ClayE Subject: [newmellotrongroup] Orchestrion becomes self-aware and
2010-10-08 by fdoddy@aol.com
It s controlled via C74 s MAX. He sequences on whatever he wants, exports midi files and then they are imported to proprietary software that drives the bots.
2010-10-08 by fdoddy@aol.com
Met the guy who heads up and builds/designs these things. Outrageous! fritz ... From: ClayE To: newmellotrongroup@yahoogroups.com
2010-10-08 by Tom Doncourt
I had imagined that he was creating layers of midi info using the guitar as controller and feeding into some DAW that was then informing some automation
2010-10-08 by tspit74@comcast.net
I saw Pat with his Orchestrion a few months ago at Orchestra Hall in Chicago. An absolute mind blowing experience. I m still trying to come to terms with it. I
2010-10-08 by Pomeroy RH Ranch
When I saw your email, I pulled out my AMICA* magazine since they had an article on this a few months back - It appears that there are no rolls, but it says
2010-10-08 by ClayE
Metheny is controlling these player instruments with his guitar. Explained at 3:05 here: http://www.youtube.com/watch?v=9VymAn8QJNQ
2010-10-08 by ClayE
I wonder if it has one paper roll or several synchronized rolls. Who made the rolls for Metheny s music? http://www.youtube.com/watch?v=hIZ2Ldrr5ok If Metheny
2010-10-08 by Mark Pring
Ok, I promise nothing more for at least a few weeks! http://www.youtube.com/watch?v=dPRXJJN0o8A A mercifully short version of the shirt using the Mark II 3
2010-10-07 by lsf5275@aol.com
The sign of a master Mellotronist in the making. Frank In a message dated 10/7/2010 4:32:42 P.M. Eastern Daylight Time, markpringnz@yahoo.com writes:
2010-10-07 by Mark Pring
Thanks Clay, I really enjoyed recording it and I am very happy with the end result. I love the sound that I m getting from #1565. The signal is 100% wet but I
2010-10-07 by ClayE
Nessus has one strange shirt. Well done Mark. Clay
2010-10-07 by ClayE
Don t get me started.