Excellent!!! When I get back into designing my performance modality, this will be on my list to explore. Any tips, a small tutorial, setup/design considerations, warnings, etc. would be appreciated. The gears are churning--backing tracks with midi sax noodling + foot pedal sonic manipulations! Gotta find .wrk file for the dance tune in 7 and do some deconstruction/reconstruction with arped poly rhythms!!!! --- In xl7@yahoogroups.com, erik_magrini@B... wrote: > That's how I made my own RPS's in the XX-7's. I have the triggers > firing off percussion parts that use odd time signatures (ala the > arps) for interesting variations. > > rEalm > > > Hmmmmm. 32 arp sequencers--different lengths; some synced, some > not; triggered by some or all of the 16 buttons (as notes) . . . . > > Hmmmm. lotsa potential there--if I ever get back into making music! > > --- In xl7@yahoogroups.com, "Matt Picone" <matman@m...> wrote: > > > QUOTE: > > > I still haven't figured out > > > > how to play loops of different lengths simultaneously on the > > > > e-mu sequencer. > > > > > > > > > Let me know if you do!! > > > > Use the arp. It's the only way. > > > > -m@
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Odd meters, different loop lengths, arps, RPS
2004-05-03 by steve_the_composer
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