I had an RS-7000 for about a year (before I sold it to buy my XL-7). The RS-7000 is a cool sequencer in a lot of ways, but it (along with every previous Yamaha sequencer) also has some characteristics that can lead to some frustration. What I liked about the RS-7000: * Dedicated knobs to control a track's velocity, gate, and add midi delays * The ability to create "phrases" which could be used in multiple patterns/songs. * Track Split (note to e-mu: get on this one!): Allows you to record your drums on one track and then split it into several individual- drum tracks (especially useful for multitrack recording with the digital outputs). * 480 PPQ (much easier on my brain) What I didn't like about the RS-7000: * In order for a song to play without "hiccups" when patterns change, one has to convert the pattern chain to a "song." * Onboard sounds are generally weak, except for the drums which are generally really good. And the synth architecture isn't a quarter the quality of E-mu's. (Sounds can only have 2 layers). * Even if the synth architecture was good, you can only edit presets and save those settings with the pattern you're working on (i.e., you can't truly create your own presets with their own names, etc.) * Digital output is not standard. * General Midi (yuck!) * Sequences must be saved to external smart media card or scsi. Contents of memory erased when powered down. Trust me: get the XL-7. The RS-7000 wasn't the pinnacle of Yamaha's hardware sequencers. Even that still required one to expand backing tracks (similar to "convert pattern chain to song" on the RS-7000) in order to not have timing hiccups. (BTW, no operating system upgrades will ever fix these bugs, as Yamaha have stated time and time again). The XL-7 is so much more user-friendly in so many ways. You can effortlessly switch recording modes before an idea evaporates from your ADHD-stricken brain, and the powerful synthesis engine means you can actually use the onboard sounds. I wasn't ever able to use my RS- 7000 as a portable composer's workbench because it just didn't sound good! Another thing that should be mentioned is E-mu's much-higher level of dedication to their customer base. Yamaha have a reputation for releasing a couple of O.S. upgrades and then moving on to concentrate on some other product. E-mu has a reputation for continually refining their operating systems (Their E4 Ultra line are up to O.S. 4.7, if I'm correct). I guarantee that the XL-7 will, with the release of some future operating system, add some of the features I did like from the RS-7000 (the "split drum tracks" job would really be helpful...). > I'm thinking about getting an Xl-7 to sequence my external gear.. but > i was wondering if the sequencer is anygood (Rs7000 style)? > > Cheers
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Re: Sequencer
2003-04-04 by stevenlebeau
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