Nathan your thoughts are good in theory but there are a few things that complicate this in practice. The first is that at least my ears aren't sensitive enough/fingers fast enough to measure the envelope changes with a stop watch. Maybe you might be able to get some kind of approximation but I'm too deaf and slow to even come close. And the big issue is that you're assuming that these rate/level relationships are linear and I'm pretty sure that they're not (at least on most synths). That is the time represented by a rate of 50 going from level 1 to 100 is not 5 times the time of a rate of 10 going from level 1 to 100. To make matters worse level 50 is probably not 5 times the volume(or whatever) of level 10. See what I mean? I know that in the synth manuals they always draw the envelope diagrams with straight lines but I believe that if you were to graph those values in real life all those lines would be curves. Jon -----Original Message----- From: Nathan I Smutz [SMTP:n.smutz@...] Sent: Saturday, March 23, 2002 7:17 PM To: CZsynth@yahoogroups.com Subject: Re: [CZsynth] Digest Number 137 Hello, The CZs envelope time depends on both the rate and the difference between the levels. It is like throwing a ball. The time depends on the speed you threw it and the distance to the destination. The CZ manual says that if you were to draw the invelope, a Rate of 99 would be representet by an angle of nearly 90 degrees. And a rate of 0 would not change the level at all. The line would be perfectly horizontal. (0 degrees). Please correct me if I make any errors here: After some fact finding, you could use a calculator to find the "Rate" or Time. You could use a stopwatch to find out how the rate numbers relate to Levels per second: For instance: You could measure how long it takes a sound to go from full loudness (99) to silence (0) at a rate of 50. Divide the number of seconds (or fraction of a second) by 50 and you will know how many Levels per second a rate number represents. ______ --- Rate angle (50) \ 99 \ \ \ >Distance \ / \ 0 \ | <-Time-> You should take another measurement to confirm that the level (volume) drops half as fast when the Rate is at 1. As soon as you know how many levels per second that the "Rate" numbers represent, you can use a calculator to get the right "Rate" value for the Time you want. Rate x Time = Distance. R x T = D The formula for Rate is: Distance (number of levels) / Time = Rate D / T =R Divide the change in envlope "level" by the time (in seconds) that you want. The divide this number by the "levels pre second" numbe that you determined with your stopwatch. Like I said: please let me know if my geometry is wrong on this. On digital syntheiszers: You might have some inconsistency in the fastest rates and the lowest levels. I hope this is of help. Make a joyful noise, Nathan ________________________________________________________________ GET INTERNET ACCESS FROM JUNO! Juno offers FREE or PREMIUM Internet access for less! Join Juno today! For your FREE software, visit: http://dl.www.juno.com/get/web/. <http://dl.www.juno.com/get/web/.> Yahoo! Groups Sponsor ADVERTISEMENT http://rd.yahoo.com/M=215002.1818248.3328688.1261774/D=egroupweb/S=170503214 4:HM/A=847665/R=0/*http://ads.x10.com/?bHlhaG9vbW9uc3RlcjcuZGF0=1016928392%3 eM=215002.1818248.3328688.1261774/D=egroupweb/S=1705032144:HM/A=847665/R=1 <http://rd.yahoo.com/M=215002.1818248.3328688.1261774/D=egroupweb/S=17050321 44:HM/A=847665/R=0/*http://ads.x10.com/?bHlhaG9vbW9uc3RlcjcuZGF0=1016928392% 3eM=215002.1818248.3328688.1261774/D=egroupweb/S=1705032144:HM/A=847665/R=1> http://us.adserver.yahoo.com/l?M=215002.1818248.3328688.1261774/D=egroupmail /S=1705032144:HM/A=847665/rand=801267675 <http://us.adserver.yahoo.com/l?M=215002.1818248.3328688.1261774/D=egroupmai l/S=1705032144:HM/A=847665/rand=801267675> To unsubscribe from this group, send an email to: CZsynth-unsubscribe@yahoogroups.com Your use of Yahoo! Groups is subject to the Yahoo! Terms of Service <http://docs.yahoo.com/info/terms/> .
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RE: [CZsynth] Digest Number 137
2002-03-24 by Furman, Jon W.
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