Haha!! I'm sure that's the same logic that manufacturers have when they don't put concrete real world numbers in the manuals describing their envelopes and in most cases it's not a problem but in some cases it is. Two cases that I can think of off hand are trying to do accurate resynthesis (like on K5k where it came up before) and also timing specific changes in timbre or amplitude to song tempo. The second application is especially likely to come up with an instrument that has sophisticated envelopes like the 8 stagers on the CZ and VZ. Jon -----Original Message----- From: Maxim Potekhin [SMTP:maxim.potekhin@...] Sent: Monday, March 25, 2002 11:26 AM To: CZsynth@yahoogroups.com Subject: Re: [CZsynth] Digest Number 137 Jon, that's an excellent analysis. I agree on all points... Except now I find myself wondering why the _exact_ shape is important at all... I'm sure the perception issues are important, and that for different kinds of sounds the perceived volume changes will be sort of different... So after all, why not use our ears when adjusting the enevlopes and such? Maxim
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RE: [CZsynth] Digest Number 137
2002-03-25 by Furman, Jon W.
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