Upgraded trigger pads
2004-01-27 by eclipse9917042
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2004-01-27 by eclipse9917042
I have a question about buying "upgraded trigger pads" If the module is what determines how everything sounds, why would I spend the extra money for different pads? Other than the number of triggers on a pad, do different pads sound different? Thanks for the input. Ed W
2004-01-27 by emf
--- In DTXpress@yahoogroups.com, "eclipse9917042" <ewitters@c...> wrote: > I have a question about buying "upgraded trigger pads" If the > module is what determines how everything sounds, why would I spend > the extra money for different pads? Other than the number of > triggers on a pad, do different pads sound different? Thanks for > the input. Hi Ed (catchy name, that), I'll give this question a go. People mainly upgrade their pads because of touch, features, and/or size. People who like playing gum- rubber pads might want to play larger ones, or ones with more capabilities (one or two rim/edge voices instead of only a single sound from one piezo). Gum-rubber, being a little less forgiving to joints, often gives way to woven-head pads, which simulate the feel, as well as look, of acoustic drums. Good woven-heads, or mylar heads for that matter, often provide better head coverage and better sensitivity for any given snare, tom, or kick voice, and the rims play more like their acoustic counterparts than a raised rubber ridge does. When it comes to e-cymbals, many players prefer a material that either simulates or duplicates the look and feel of a traditional cymbal. Furthermore, any component that features two separate piezos for its two sounds will generally be more reliable (in terms of delivering what's expected when struck) than one housing a piezo plus an FSR switch, even though it will take up two inputs for the privilege. Plus, upgraded pads and cymbals when played through certain modules might permit positional sensing--that is, the voice triggered will change in response to exactly where the pad/cymbal is hit. The question about whether voices audibly change with different types of pad is a difficult one. I've had the experience of a module's sounds seemingly changing their character according to the component used. Some of the impression may be psychological, and some may be due to the different inherent sensitivity curves that these different components have. It is an established fact in audio that different volume levels affect how people judge the quality of the same sound. But it could also be due to how various materials propagate signals and how the designer of the pad has chosen to orient and outfit the electronics. A good question and fun to answer. Ed