I hate to beat this dead horse any more, but I went back and re-read all the posts about EAM Archival Qualities. I wanted to be sure I had gotten clear info from the discussion. There are many views to consider, I know. I also know people believe what they want to believe, but (IMHO) I have enough doubt about this paper not to get near it for selling archivally sound prints. (Cheap enough for proofing though...do you really get what you pay for?) Believe what you want, Do what you will... Cathy I pulled out just one post from the Piezo3000 archives: "If that is what it is supposed to be, they [Epson] have a major problem in quality control and/or product stability after it leaves the factory. I tested EAM with both the Light Impressions and Lineco paper pH testing pens. Both indicated that there was a neutral or basic coating on the front. The pens dissolve this coating but if applied lightly they turned blue (LM pen) or lavender (Lineco pen). The back also appears to be coated and this tests acid with both pens. The coating might be to improve mechanical handling in converting. Tearing the paper I checked the core and it tests acid with both pens. Steadman reported similar results on different batches. Now I am willing to believe that it might have been manufactured as an acid free and lignin free paper with no added pH buffers. These would test slightly acid, pH = 6.0, after exposure to the atmosphere and certainly with the application of an acid coating. However, there is obviously no alkaline reserve in the paper. It does not meet ASTM or ISO standards for permanent document paper and would not qualify for purchase by any U.S. Federal government agency, many individual states nor some European governments. Is it going to self destruct real fast? Probably not. Is it going to last as long as a buffered paper? No way." --- In DigitalBlackandWhiteThePrint@y..., "Paul Roark" <paul.roark@v...> wrote: > Cathy Van Berg wrote: > > >... it has been well established in the Piezo3000 group that Epson > >Archival Matte is not Archival at all. There was much discussion > >...it is important to me that all my work be as acid free as possible... > > There has been more discussion than evidence, I fear. Also, the "green" > problem of Piezo on EAM is, in my view, not a problem of the paper. > > I would also feel better if EAM clearly indicated a basic (acid free) pH > with my acid test pen. However, there appears to be a lot more to the > science than what these marking pens will show. When newsprint tests out as > better than my archivally-processed silver prints, and I see no correlation > between acidity and light-fastness, it makes me wonder if these cheap pens > have any value at all. > > At any rate, I continue to think that color shifting and fading are more of > a problem than what happens several hundred years from now. So far, among > the papers I've tested, EAM seems to be the best in terms of light fastness, > at least for relatively pure pigment inksets like the MIS archival inks. > > Paul > http://www.PaulRoark.com
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[Digital BW] Re: EAM Archivability WAS Fade test: Museo v. EAM
2001-08-31 by Cathy Van Berg
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