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Digital BW, The Print

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Re: [Digital BW] Glossy prints (was Is anyone really thrilled? Honest)

2002-09-02 by Robert Morrison

It stinks with the quad pigment blacks...poor rub off and soft image...this
is a made for dye paper.  The gallerie smooth pearl has similar
problems...but works with epson pigments.  The best E surface papers out
there for BW quad are Bightcube Semi-Matte and Generations Prophoto
lustre...but both need to be sprayed.

Robert

On 9/1/02 9:24 PM, "David J. Bookbinder" <david_bookbinder@...>
wrote:

> I'm just using Epson OEM inks and making color prints, so I can't say how
> the paper will respond to b&w inksets. But, for the Epson color inks it
> responds almost identically to Colorlife, but has a smooth, glossy surface
> instead of Colorlife's pearl surface. It also doesn't curl like Colorlife
> paper does.
> 
> - David
> 
> -----Original Message-----
> From: bggilliand2001 [mailto:bgilliand@...]
> Sent: Sunday, September 01, 2002 5:23 PM
> To: DigitalBlackandWhiteThePrint@yahoogroups.com
> Subject: Re: [Digital BW] Glossy prints (was Is anyone really thrilled?
> Honest)
> 
> 
> What ink set are you using?
> 
> Barry Gilliand
> --- In DigitalBlackandWhiteThePrint@y..., <david_bookbinder@s...>
> wrote:
>> Another option for the 10-20 year print life and are using the
>> 1280 is Ilford Classic Gallerie glossy paper, which is about
>> as glossy as my old wet-chemistry prints when dried with the
>> print surface pointed away from the drum. To most people who've
>> seen my stuff, they are not distinguishable from wet-chemistry
>> prints.
>> 
>> - David
>> 
>> = = = Original message = = =
>> 
>> In no certain order...
>> 
>> 1. Your print gradation will improve if you move to a 6-color
>> or 7-color
>> printer.
>> 
>> 2. I have a Polaroid SprintScan 120 and use it regularly to scan
>> b/w medium
>> format film. I've been very happy with it. As for dpi, do the
>> math and see
>> what you need on the input side to get your desired output at
>> about 300
>> dpi. For example, an 8 x 10 at 300 dpi is 2400 x 3000 pixels.
>> A 2800 dpi
>> scanner will give about 2660 x 3920 for 35mm -- just enough.
>> 
>> 3. A glossy b/w print is more problematic. I print on matte paper
>> with an
>> Epson 2000P and an Epson 1280 running third party ink. I like
>> the look of
>> matte better. For glossy, an Epson 2200 or a 1280 may be
> possibility.
>> You
>> didn't say how long you want the prints to last. If, say, 10-20
>> years is
>> OK, a 1280 using Epson ColorLife paper may be acceptable. It
>> is a semigloss
>> paper.
>> 
>> 4. Another option for glossy is having a Lightjet print made
>> if you have a
>> local lab that offers such.
>> 
>> Jeff Greer
>> 
>> At 11:10 AM 09/01/2002 -0700, you wrote:
>>> Much of my photo business is shooting Headshots also (see
>>> www.rickschiller.com  )    I've  switched to printing digitally,
>> scanning
>>> from film ( TMY pulled a stop, TMX, FP4, Pan-F )   First big
>> problem is
>>> giving people glossy prints, no way my clients will accept matte
>> finished
>>> prints so that limits your ink choice.  On an Epson 860 (4-color)
>>  I went
>>> with the Lyson Quad blacks and was very disappointed with the
>> strong
>>> mid-tone magenta cast.  I switched to Lyson Small Gamut and
>> am getting
>>> better tones.  I use the Lyson paper.   But the big problems
>> are as follows:
>>> 
>>> 1. Gradation is not as smooth, especially in the highlights.
>>  I have a low
>>> end scanner ( Canon 2720 ) and really need to upgrade.  I posted
>> here 2 days
>>> ago and don't know whether to go with a Nikon ls4000/ls40 or
>>> Microtek/Polaroid.   And if I need to spend more money on the
>> higher end
>>> 4000 dpi models.
>>> 2. My digital prints are good and when duped to lithos, ordinarily
>> look
>>> better then many dupes I've seen from darkroom prints, sharper.
>>  But
>>> gradation is still lacking.
>>> 3. I have some test scans from Nikon scanners, they are sharper
>> then the
>>> Canon 2720.  But the sharpness has a downside in that every
>> minute mark on
>>> the negs, which would not be picked up in the darkroom, the
>> scanner picks up
>>> and has to be spotted out in Photoshop.
>>> 4. There are other issues, I'm tired of writing right now but
>> open to all
>>> ideas . . . .
>>> 
>>> Yes, until I get it all resolved I'm considering going back
>> to darkroom
>>> printing or sending all printing work out depending on my level
>> of bookings
>>> in any given week.
>>> 
>>> Rick
>>> 
>>> 
>>> 
>>> 
>>> 
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> 
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