Mark, I too, couldn't care less about how the artist did his work, or how manipulated it is. I just don't. One exception is journalism and/or documentary photography, I wouldn't want the photographer doing anything that would alter what the viewer thought he was looking at. But he could spot, remove hairs, straighten horizons, lighten, darken, etc; that wouldn't bother me. There sometimes is a thin line. A lot of people cared when National Geo moved a pyramid a few feet so the composition would be better. Didn't bother me at all. When Time magazine altered OJ simpson's photo into a much darker, foreboding image, I think they went too far This really did have the effect of making him appear meaner and nastier. I know a lot of great photographers that manipulated their popular images, and if they weren't documentary photographs, It doesn't bother me. That's what brings out the artist in the person. As for Dylan, I'd rather listen to a year of long fingernails being dragged across a slate blackboard than his music. Or any other music in the last 30 years or so. No one performing today holds any interest whatever for me as far as Popular music goes. Great music started dying the year that electronic instruments became popular. Nearly every group or person today sings like they are in desperate need of an enema. There are, of course a few classical composers that are still writing great music, but not many. Jerry
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Re: [Digital BW] Adams/Smith
2002-12-09 by Jerry Olson
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