--- In DigitalBlackandWhiteThePrint@y..., "Antonis Ricos" <antonisphoto@y...> wrote: > Even if that was the case (it is not - as Carolyn pointed out), the > monitor > should not be the determining device for color calculations. Antonis/Carolyn, This has been a good thread. I will get that book. Thanks for all the information on this topic. I will probably go back to square one on all my color settings. > Rather the input or > output devices should. I rarely know how I'm gonna output a file when I'm retouching it. I tend to think that I'm working in some kind of "raw mode" when I'm doing the basic burning and dodging and contrast and "look" of the image. I always scan in Gray, and do all the work in that mode. Then I convert to RGB when I start the toning. I generally embed the ColorMatchRGB profile when I'm working in RGB; Gamma 1.8 when I'm still in Gray. Once I get it ready, THEN I think about how I'm gonna output it: either to the 7000, or to CMYK for a job, etc. Do you work/think like that? Or do you scan/burn/everything with an intended use in mind, from the very start?
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Re: colorspace for quads [was7000 MIS Variable Inks Workflow (MAC)]
2001-09-13 by Mark Tucker
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