Digital BW, The Print

Ken,
 I would really appreciate that. You can send me your
address off list and I'll get a CD right out to you.
Thanks so much.
Evelyn

--- Ken Carney <kcarney1@...> wrote:
> Evelyn: If you will send me a CD with an image, I
> would be glad to send you
> a couple of prints with different curves in the VM-S
> inks.  Others on this
> list have done that for me, and it certainly helps
> narrow the selection when
> you have actual prints to look at.
> 
> Regards,
> 
>   --Ken Carney
>     www.kencarney.com
> 
> ----- Original Message -----
> From: "Evelyn Grant" <ingamom@...>
> To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
> Sent: Sunday, January 05, 2003 11:13 PM
> Subject: Re: [Digital BW] Cone Sepia and Selenium
> inks
> 
> 
> > Ken,
> >
> > Thanks for your reply. It's great to get
> confirmation
> > that I'm seeing things correctly :). Looks like
> once I
> > run thru these Cone sepia inks I'll be switching
> to
> > the MIS VM-S inks. I kind of feel like we're all
> being
> > misled by Cone calling these inks sepia. They look
> > more like what I used to get in the darkroom on
> > Kodak's Ektalure paper before I toned it. I have
> been
> > so satisfied with their quadtones for black &
> white
> > that I just assumed I'd be thrilled with the sepia
> > ink. Ah well, live & learn.
> >
> > Evelyn
> >
> > --- Ken Carney <kcarney1@...> wrote:
> > > I looked at the Cone site for the carbon sepia
> > > patch, and it looked more
> > > like a fairly warm print to me  - with all of
> the
> > > vagaries that go with a
> > > web image.  With the MIS VM-S inks and the Paul
> > > Roark or Keith Krebs curves
> > > the print goes from a true sepia to a neutral
> b&w,
> > > with excellent tonal
> > > range, and on Epson EEM paper yet.  Between that
> and
> > > Portra and Polaroid PN
> > > film, my darkroom is history...
> > >
> > > Regards,
> > >
> > >   --Ken Carney
> > >     www.kencarney.com
> > >
> >
> > >
> > >
> >
> >
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