Digital BW, The Print

Yes definitely interested as I am in a similar situation as 
yourself.  I am currently using Permajet VT Blax onto either Epson 
Archival Matte or Folex Duo.  However I am running into problems 
which affects only certain prints with the tones not being properly 
rendered when printing with the colour cartridge; if I use black only 
then the tones are there properly (albeit not to the same clarity) 
but I don't have the polarisation that seems to happen with the 
colour cartridge.  Paul R was very helpful in trying to nail the 
problem but I could not find out what it was (Paul, the head did 
clean eventually).

I am now trying to re-profile my papers using the Epson colour inkset 
so that I can use glossy paper too. 

Count me in, my mail is at the top or you can get me through my 
website below.

Gareth

--- In 
DigitalBlackandWhiteThePrint@yahoogroups.com, "martinshakeshaft" 
<ms.photolists@v...> wrote:
> I am currently using an Epson 2100 (2200) with the Archival Matte 
> paper and Matte Ink for my black and white output.  Whilst I am 
> moderately happy I would like to improve things if I could.  In 
> daylight the b/w's are cold/neutral but under fluorescent lights 
> everything goes a bit magenta (too much for my taste).
> 
> At the moment I am just doing work prints, but later in the year I 
> will be making 50 exhibition prints.  My options are to go back to 
a 
> wet darkroom or to improve the output I am getting, either by using 
a 
> different inkset or buying a 1290 with a dedicated B/W inkset.... 
> decision.. decisions.....
> 
> I was wondering if any fellow UK list subscribers would like to do 
a 
> print exchange so we can compare what options are available.  I 
would 
> be happy to co-ordinate things.  Just let me know if you are 
> interested.
> 
> Cheers
> 
> Martin