> -----Original Message----- > From: Tim Atherton [mailto:timatherton@...] > Sent: Monday, August 25, 2003 10:01 AM > To: DigitalBlackandWhiteThePrint@yahoogroups.com > Subject: [Digital BW] Septone system > > > So have I got this right? > > The Septone system is basically a seven ink (warm/cool) descendant of the > old Piezography system? With a driver for the Epson 2200 and a set of ink > cartridges (if you so choose) you can switch back and forth with between > Septone and say, original OEM Epson Ultrachrome colour? > Tim, The Septone inks and software for the 2200 are made by Sundance Inks and R9 Software the developers and the manufacturers of the original Piezo inks and the Piezo plugin. These are a new formula of inks that were corrected to eliminate the original problems of the original inks. I gather they are similar to the Piezotones and MIS-FN chemically. They did RIT testing and they are predicting a display life of over 100 years at 450 lux 12 hours per day for what that is worth. The Septone system includes a neutral black ink, 3 warm gray inks and 3 cool gray inks. There is no color ink used. The software is an advanced version of the Piezo/R9 plug-in which allows you to control the ratio of warm to cool gray inks in the three major tonal areas of the print. Shadows, mid tones and high lights. With sliders you can set the shadows to say 75/25 W/C, the mid tones 50/50 and the highlights 72/28 all in 1% increments! Mathematically that works out to 1,000,000 combinations. From the samples I have this gives you a really incredible ranges of hues that you can achieve in a print. If you look at silver fiber prints you will find that the hue of the print varies with tone. So you have prints with say subtly cool shadows and warm highlights. I think this chromatic complexity results in a print that is much richer looking since the variation in hue allows the human eye to more easily differentiate adjacent tones. I have been using Selenium Piezotone ink because it has a good deal of this going on. The ability to vary this effect is very appealing. This is essentially the new version of the old plug-in software. Check out their website at: http://www.bwguys.com/ They will not appreciate me saying this but since the ink densities of the two gray sets are the same as the Piezotone and the MIS-FS ink sets I have to wonder if the software will not work with these gray inks as well. Say Warm Neutral and Selenium Piezotone grays or MIS-FS and FSN? I also wonder if Roy could not add this ability to QuadTone RIP. You would just need more curves that only effected narrow tonal ranges. You could certainly switch back and forth between the Septone and UC cartridges but from the experiences people have had in the past this is extremely wasteful of ink. If you did this on a regular basis I suspect that the cost of your ink losses might pay for a second 2200 in time. Martin Wesley http://www.borderless-photos.de/guests.html
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RE: [Digital BW] Septone system
2003-08-25 by Martin Wesley
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