OK, based on absorbing lots of information in a very short amount of
time, I seem to have reached a choice between two options, using the
Ultra Tone inks on a dedicated B&W printer or using ImagePrint with
the Ultrachromes on a 7-color Epson printer. Assuming that the
ImagePrint prints will also display no matamerism (correct me if I'm
wrong), here is how I've come to understand both options:
Option 1: Ultra Tones on a dedicated B&W printer:
-high quality results with no metamerism
-avoids colored inks fading before black ink
-choice of warm, neutral, cool toning
-an expensive RIP not needed
-would end up spending money on a separate printer for color
Option 2: Ultrachromes/ImagePrint on Epson 7-color printer
-high quality results with no metamerism (due to the use of more
colors)
-colored inks could conceivably fade before the black ink
-some, limited, control over toning
-high cost of RIP, increasing considerably for WF models (but
the RIP would also be extremely useful for color printing)
-could print B&W on the same printer, which could save quite a
lot if we're talking WF (though the increased cost of a WF
RIP would eat up a god chunk of that)
So, is that a good estimation? Am I wrong anywhere? Are there other
advantages or drawbacks to either choice?
Also, there's the upcoming Epson 4000 that will supposed have drivers
that will handle B&W better. (Will this mean new drivers for the
2200/7600/9600 that also do better?) Plus, having Photo Black and
Matte Black available as a software change makes it all the more
viable as a printer for both color and B&W. (Though I'm unsure if
I'd be willing to pay that much more than the 2200 for a few extra
inches. At that point, why not just spend a bit more and go with the
7600 and get an impressive size increase, I think, maybe.)
MikeMessage
Ultra Tones & Dedicated B&W vs ImagePrint & 7-Color
2003-10-23 by Mike Botelho
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