--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "A. Huntley" <Alan.Hun= tley@c...> wrote: snip >... Doesn't the final print have to be tailored to your chosen workflow > in order to produce first-rate consistent results? I've been kind of curi= ous > about this lately... Three years from now, when we all have the bestest, > greatest, straight out-o-the-box quadtone printer available, or we're usi= ng > some other ingenious workflow/inkset developed by Paul, will we be able t= o > r eproduce the same prints we're generating today using the same files? M= y > guess is...not unless you're workflow is based on some standard gray work= ing > space throughout, like GG 2.2; assuming, of course, that 2.2 will be the > "standard" working space a t that time. Any other method using some sort = of > "custom tailoring" to properly produce the final print would have to be > re-worked, would it not? Just a thought................ Right. This is one of the premises of color management. The the image is ke= pt in an ideal image space, not output referenced. Then the chosen device at= print time, characterized by a profile (or whatever), as accessed via a con= version to that devices profile, the file left intact. For color it tends to work, there are widespread accepted end goals, and co= lor management evolves daily. For B&W output, we have no widely accepted sta= ndard to profile (or linearize) to. What density should middle gray be? You = can linearize all of these printing methods (StudioPrint, QTR, OPM, rgb curv= es, etc.) to a number of target densities. So some kind of file adjustment m= ay still be necessary for a given device and it's chosen target densities. But your thought is on the money. One thing you might try, is to leave your file intact and do a profile conv= ersion to that device preview space you mentioned, and then print. I've had = some luck with that. The unfortunate part being that Photoshop has no adjust= ment point at 95% in custom dot gain curves, and that is usually one of the = spots needing attention from device to device. Tylerâ
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Re: Dot gain in Photoshop (was 1280 vs. 2200 question)
2003-11-01 by Tyler Boley
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