--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Tom Baker <tbaker1328@s...> wrote: > Do you know what kind of machine/process was used? Are we missing something in what we're trying to do today that might have been used then? Also, do you know who did the print? > This print was commisioned in the mid 70's by the G.Ray Hawkins gallery in Los Angeles. There were 50 made in the format I have, another 200 or so ( i have the documentation somewhere-) were made on the same paper, same size but with typography announcing the exhibit. Another 200 or so were made same size with typography on a lesser quality paper. It was produce by the BLACK BOX STUDIO in Chicago, they are out of business now but were really well know for many years and received numerous industry awards for producing short run, high quality artist prints using the Collotype process. The Collotype process is a destructive process that eventually destroys itself thus limiting the length of the run. It uses photo sensitve gelatins to create the plates ( a different plate for each color). "Are we missing something in what we're trying to do today that might have been used then?"- this was not something you could really do on your own except on a small scale. My point was that AA was already very active in alternative processes. To speculate whether he would have been or not is not relevent-he was. His most famous concept of the negative being the original score and the print an interpretive performance applies here.
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Re: [Digital BW] beating a dead horse
2003-12-03 by jnhugo
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