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Digital BW, The Print

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Re: [Digital BW] Re: Glossy printing with Eboni -- who needs a 4000?

2004-01-19 by Carl Schofield

Roy & Paul,

I tried the UT1 inks with Eboni K in my 1270 using a neutral curve in  
QTR and printed to Epson Photo Paper.  The Eboni rubbed off and showed  
a gloss differential only in the 100% patch.  However, by applying a  
curve adjustment layer and limiting output at 100% I was able to get  
rid of the rub-off and gloss differential.  The "optimal" 100% output  
limit in terms of dmax was at 92% and there was no rub-off or gloss  
differential.  Print looked great with no bronzing either.  Dmax  
numbers (see chart below) were not that great but the blacks still  
looked good.  I did no spraying with Print Shield for these tests.  I  
wonder if more C position gray ink were laid down under the Eboni if  
dmax would be higher.  Roy, could this be accomplished with a higher  
GRAY-OVERLAP?  I was using 10%.

Carl

Curves 100% Ouput	D
90	1.64
91	1.64
92	1.65
93	1.631
94	1.614
95	1.609
On Monday, January 19, 2004, at 02:42  PM, Roy Harrington wrote:

>
> Hi Paul,
>
> I'm curious just what you've got here.  Is it that this one specific
> paper Smooth Pearl is somehow compatible with Eboni but
> others aren't?    Or are you just not using the Eboni ink by making
> the 100% spot just 100% R and G and 0% B -- i.e. the dark warm
> gray and dark cool gray inks are enough to give a great dMax.
>
> Roy
>
> --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Paul Roark"
> <paul.roark@v...> wrote:
>> OK, this is a little half-baked, but the bottom line is that I've hit  
>> a dmax
>> of 2.28 on Ilford Galerie Smooth Pearl - with Eboni.  There is not
>> significant dusting or rub-off.
>>
>>
>>
>> The secret is that the UT2 (and perhaps UT1) inks use a base that is  
>> the
>> glossy binder.  It's not an acrylic coating on the particle.  So, I  
>> don't
>> let Eboni sit there by itself - or barely at all.  So, to the extent  
>> there
>> is Eboni there, it is held by the base that carried the other inks  
>> into that
>> spot.  The best dmax so far is with the yellow position sepia toner  
>> pulled
>> out entirely at the 100% spot.
>>
>>
>>
>> Whether I can write full curves for this is untested.
>>
>>
>>
>> So, there is more to do here before declaring any kind of victory,  
>> but we
>> may not need to mess with switching blacks any more.  Now that would  
>> be
>> nice.
>>
>>
>>
>> Paul
>>
>> www.PaulRoark.com <http://www.paulroark.com/>
>>
>>
>>
>> [Non-text portions of this message have been removed]
>
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