Roy & Paul, I tried the UT1 inks with Eboni K in my 1270 using a neutral curve in QTR and printed to Epson Photo Paper. The Eboni rubbed off and showed a gloss differential only in the 100% patch. However, by applying a curve adjustment layer and limiting output at 100% I was able to get rid of the rub-off and gloss differential. The "optimal" 100% output limit in terms of dmax was at 92% and there was no rub-off or gloss differential. Print looked great with no bronzing either. Dmax numbers (see chart below) were not that great but the blacks still looked good. I did no spraying with Print Shield for these tests. I wonder if more C position gray ink were laid down under the Eboni if dmax would be higher. Roy, could this be accomplished with a higher GRAY-OVERLAP? I was using 10%. Carl Curves 100% Ouput D 90 1.64 91 1.64 92 1.65 93 1.631 94 1.614 95 1.609 On Monday, January 19, 2004, at 02:42 PM, Roy Harrington wrote: > > Hi Paul, > > I'm curious just what you've got here. Is it that this one specific > paper Smooth Pearl is somehow compatible with Eboni but > others aren't? Or are you just not using the Eboni ink by making > the 100% spot just 100% R and G and 0% B -- i.e. the dark warm > gray and dark cool gray inks are enough to give a great dMax. > > Roy > > --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Paul Roark" > <paul.roark@v...> wrote: >> OK, this is a little half-baked, but the bottom line is that I've hit >> a dmax >> of 2.28 on Ilford Galerie Smooth Pearl - with Eboni. There is not >> significant dusting or rub-off. >> >> >> >> The secret is that the UT2 (and perhaps UT1) inks use a base that is >> the >> glossy binder. It's not an acrylic coating on the particle. So, I >> don't >> let Eboni sit there by itself - or barely at all. So, to the extent >> there >> is Eboni there, it is held by the base that carried the other inks >> into that >> spot. The best dmax so far is with the yellow position sepia toner >> pulled >> out entirely at the 100% spot. >> >> >> >> Whether I can write full curves for this is untested. >> >> >> >> So, there is more to do here before declaring any kind of victory, >> but we >> may not need to mess with switching blacks any more. Now that would >> be >> nice. >> >> >> >> Paul >> >> www.PaulRoark.com <http://www.paulroark.com/> >> >> >> >> [Non-text portions of this message have been removed] > > > Please visit the Group Homepage to check the Files, and other > resources as they are often being updated. > > http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint > > If you wish to receive no emails or just a daily digest, or you wish > to unsubscribe, please edit your Membership preferences by visiting > this same page. > > Please follow these basic guidelines: > - As threads develop, trim off excess portions of earlier messages to > keep them short. > - Good manners are required at all time. 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Message
Re: [Digital BW] Re: Glossy printing with Eboni -- who needs a 4000?
2004-01-19 by Carl Schofield
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