--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Antonis" <antonisphoto@y...> wrote: > >So I have a pure > > carbon quadtone -- black, dark gray, medium gray and light gray, > > plus two single color toners. > > Roy, > > whose carbons and whose toners are these? > > I guess we can't settle this without everyone in the same viewing room with lots of > prints in front of us, but here is the question: Is there any disadvantage to using a > toner vs blending between single-hue inksets? Obviously the toner will give you the > bigger cool-to-sepia range. But aren't there trade-offs? .... crossovers?... overinking > in the shadows?... funny dots in the highlights?.... > > Just a skeptic - > > Antonis Hi Antonis, I'm using the MIS inks. They are all the ultratone based inks. I debated a long time trying to decide which approach to take for my 7500. The large ink drops and only 6 inks made it hard to come up with a variable tone setup. For a while I was considering the 1 black, 3 selenium, 2 warm or cool inks idea, but I wasn't sure which colors I'd like the best and was also worried about what to do with only 2 of one of the colors. The septone idea is a lot more obvious for this. Anyway I used some of the UT2 inks on a 1270 and found the range of colors very nice so I wanted to make something similar for the 7500. 1 black and 3 grays is essential for the 7500 to get smoothness (I used to use 4 grays). So two toners was the obvious choice. I haven't found much downside in using toners. The toner curves are quite smooth. Since I can vary the amount of toner, crossovers don't show up. I use an Eye-One and always plot out the LAB values of the stepwedge to see what effect changes have. I was a little concerned about toner in the highlights too. What I found was that the coolness of the paper (PhotoRag) made it possible (actually necessary) to reduce the cool toner in the 0-10% range. For the sepia color the toner itself is nice so immediate toner isn't objectional to my eyes. I'm a skeptic too. I'm still open to other ideas for these old printers. Roy
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Re: New Glossy Lyson paper + inks + IJC/OPM
2004-03-19 by Roy Harrington
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