Tyler, I'm curious as to what you think of Torchon. It was always my favorite paper, although its very figured surface, beautiful on its own and which disappears in colored areas, could be noticeable and therefore distracting in very light expanses such as a pale sky. The only reason I stopped using it and have been looking for a replacement ever since was its propensity to "flake", leaving white spots which are nearly impossible to spot. Brushing off the surface before printing does improve one's odds for avoiding "flaking" (I've never been convinced that something actually flakes off, because I've looked very carefully, and never found a loose flake), but still, it's disheartening to print a big print, especially, and find white spots. But I've always got the best reds with this paper. Also, what is your reaction to Entrada? Mine is that it looks very good with proper profiling, but it is more difficult to profile than other papers. And I've even seen some flaking with it- not as bad as Hana papers, but occasionally- which makes me suspect that the very dry conditions under which I print may be part of the equation. James
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Re: [Digital BW] Re: How does William Turner compare to PhotoRag?
2004-05-09 by James Irelan
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