Peter,
What type of equipment does your pro lab use ? The Fuji Frontier
printers give, in my experience, BW which is neutral under ambient
daylight and moving toward brownish under tungsten and then flourescent.
Stuart
8-- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Peter Nelson"
<pnweb@s...> wrote:
> --- In DigitalBlackandWhiteThePrint@yahoogroups.com, claudej1@a...
> wrote:
> > In a message dated 5/14/2004 5:15:42 PM Pacific Daylight Time,
> > DigitalBlackandWhiteThePrint@yahoogroups.com writes:
> > Black and White was a lot cheaper, but still several
> > > thousand dollars to "do it right." Claude
>
> > and point: 95% of B&W prints made by photogaphers out
> > there did not have the proper wash.
>
> I'm not sure what your point is. I still have the BW prints I made
> in college in the 1970's and they are still better than anytyhing
> I've seen from a 2200.
>
> The 2200 with the IP RIP produces BW prints that are "good enough" -
> a bit warm for my tastes and a bit coarse in some tonal ranges -
> but "good enough". But it's still true that when I want a good BW
> from a digital file I take it to a pro lab and have a print done on
> photographic paper. Your philosophy is that if you want quality
> you have to pay for it, and I agree which is why I use the pro lab
> on those shots.Message
Re:Darkroom vs. Inkjet
2004-05-16 by sl91911
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