Digital BW, The Print

I wouldn't view that solution as being less agrivation, providing better results, cheaper, etc., then putting up with whatever it is about IP you may think is clunky.  As you are probably aware, there are major fine art producers running IP, even though those same options are opent to them.  
 
I view all of this are the choice between IP and the 'science fair' approach.  I believe that any shop producing fine prints in volume, and for profit can ill afford the science fair approach.
 
Tom Baker

mark_gatehouse <mark_gatehouse@...> wrote:

> Don't buy it then. 

Well, if we had known this 18 months or so ago we wouldn't have...

We have three wideformat machines in a major museum and archives on 
which we have been running IP. But it has become such an annoyance we 
won't be renewing our service contract and are going to different 
options where we can. Quadtones/Septones on one along with greytag 
Macbeth profiling for the colour work.

Of course we can still run the IP, but it will now be for secondary 
use most of the time now.

mark.




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