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Digital BW, The Print

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RE: [Digital BW] comparison hue of piezotone selen - UT-FSN

2004-11-16 by Paul Roark

Andreas,

You wrote: 

>I think there are even more variables.

I agree that there are a number of variables.

>In the VM inksets you can go from warm to cold - but the color is 
>fixed to this straight line between the endpoints.

First, the original VM inkset is obsolete, in my view.

However, one reason I like the variable-tone inksets, in general, is that I
can better profile papers to offset the tendency of many papers to print
rather differently in the shadows.  On the other hand, if I want cooler
shadows, I can do that also. 

>My feeling is that the piezotone selen has a composition of hues 
>from black to white which is unique and I like it very much. 
>I was not able to reproduce it with UT1, not with the 
>curves and not with QTR.

That is probably also true.  Unlike the early formulas, the UT2 and newer
inksets, including the latest UT-FSN, the darker inks or toners have a
different mix of "blue" toner in them than the lighter ones.  My ink
formulas have definitely become more complex (much to MIS's chagrin).

(The UT1 bulk ink has been updated with the latest pigs, but the dark and
light toners still have the same hue.  Users of the new inks may notice less
magenta in the shadows even with the single-hue new inks, however, due to
better characteristics of the new pigments.)

>That's the point where I think it to be "best" - aesthetically.

Of course, what each of us thinks is the "best" will vary.  I largely design
to my own tastes, but others clearly have other preferences.  

Part of me wants to make a pigmented low gamut inkset.  (With the latest
color pigments that I'm able to use, my desire to have pure carbon available
for longevity purposes has been virtually eliminated.)  A low gamut inkset
would be especially attractive to me if we could plug into the existing
profiling software.  However, at least one expert doesn't think they'll work
with low gamut inks -- a proposition I'd like to test.  Of course, balancing
gamut with metamerism would be part of the challenge.  But, if I could make
a low gamut inkset that had excellent monitor matching, then users would
have the freedom to custom design custom hues.  (Anyway, it would be a fun
challenge.)

Paul
www.PaulRoark.com 

_______________________________

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Paul Roark"
<paul.roark@v...> 
wrote:

...
> I agree with you that a single midtone hue measurement does not mean that
> the "neutral-selenium" inkjet prints are equal in look to a silver print.
> There are obviously more variables.  However, the PT-S and UT-N hue
targets
> are about the same.  
> 
> One of the inkjet problems has been that the black pigments are warm,
> whereas the lightly-selenium-toned silver print shadows get cooler.  The
> inksets tend to get cooler at about 75%, but on matte paper there is, so
> far, no way to stop a warm cross-over as one reaches the deep shadows,
where
> the black ink tone takes over. ...








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