Digital BW, The Print

Ernst, 

I did not test an Eboni + PK combination.  So, I'm not sure how that would
do.

I used the 2200 initially as the test bed for several combinations, and the
dual Eboni won.  Since the UT7 gets a very good dmax from the dual dark
grays (often better than a single MIS PK), I was not interested in having
the PK available.

Paul
www.PaulRoark.com 


> -----Original Message-----
> From: DigitalBlackandWhiteThePrint@yahoogroups.com
> [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of Ernst
> Dinkla
> Sent: Thursday, May 26, 2005 11:45 PM
> To: DigitalBlackandWhiteThePrint@yahoogroups.com
> Subject: Re: [Digital BW] 7600 dmax (UT7 & Rip)
> 
> Paul Roark wrote:
> 
> >Well, until we get black holes on the paper, the dual Eboni setup in the
> >7600 is producing the best dmax I've seen on matte paper with my 7600.
> >Needless to say, a rip is needed to control the LK and K independently.
> >
> >
> >
> >What I am now calling the UT7-Rip inkset will probably have Eboni in both
> >the K and LK spots.  I think it'll be able to produce a better, smoother
> >black ramp in the 7600.
> >
> Paul,
> 
> Is there much gain in two Ebonies versus one Eboni + PK as the next grey
> + some PK boost in black ? The last is what I use on the 9000 (last time
> I wrote it was the next grey but it is actually the PK).  I do
> understand that you can lay down as much Eboni as you need and the
> second Eboni fills up the pattern better but I wonder how much that adds
> compared to full Eboni + filling up the pattern with PK.
> 
> The PK seems to bleed more on matte than Eboni but isn't worse than the
> rest of the greys on that aspect.
> 
> Ernst
> 
> 
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