Digital BW, The Print

Brooks mentioned it on the lenswork forum
http://lenswork.com/v-web/bulletin/bb/viewtopic.php?t=72

"Actually, there are three distinctly different tones in LensWork, 
each created from a different set of duotone curves. All three use 
only black ink and Pantone Warm Grey 11C ink, but have different 
ratios of the two. In house, we call them "neutral warm," "sort of 
warn," and "very warm." Look carefully and you'll see the differences. 
We choose the tone for each portfolio that we think will be compliment 
the subject."

Scott

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Douglas meeuwsen 
<lipshurt@m...> wrote:
> Howdy....
> having a great time this summer with my 2400
> I'm pretty sure that everyone is hip to lenswork magazine, and I am 
> wondering if any of us has been able to get that color of print, 
using 
> the Advanced BW mode of the K3 inkset. The warm setting is not quite 
> it, so I am doing a bit of experimentation. I have a pretty nice 
> setting of Horizontal =2 and verticle =10 that I like but it is not 
> that lenswork color. That might be some kind of duo-tone that is way 
> over my head, and might need different settings for the highlights 
and 
> shadows. Anybody trying to get that vibe out of K3?