Digital BW, The Print

Yup...after doing this all day today, and looking thru the book, and 
comparing my prints, I found that my 40/40 did not match all of the 
prints. I worked it out to three grades of warm, but all three have the 
same shadow and highlight slider positions.
My neutral warm is v=10 H=10
medium warm is 20/20
and very warm is 40/40
my neutral is 3/3 with sliders in the middle
my guess is that I will think these are too exaggerated tomorrow. 20/20 
might be a good match for lensworks most warm, and 10/10 might be a 
good medium, and my neutral might be just a tad warm at 3/3.
the difference between 2/2 and 4/4 is noticable. About the same diff as 
20/20 and 40/40

thanks for the info though...that was driving me crazy!


On Jul 26, 2005, at 8:11 PM, schrochem wrote:

> Brooks mentioned it on the lenswork forum
> http://lenswork.com/v-web/bulletin/bb/viewtopic.php?t=72
>
>  "Actually, there are three distinctly different tones in LensWork,
>  each created from a different set of duotone curves. All three use
>  only black ink and Pantone Warm Grey 11C ink, but have different
>  ratios of the two. In house, we call them "neutral warm," "sort of
>  warn," and "very warm." Look carefully and you'll see the differences.
>  We choose the tone for each portfolio that we think will be compliment
>  the subject."


[Non-text portions of this message have been removed]