On Mon, Sep 05, 2005 at 11:16:42PM -0700, Paul Roark wrote:
>
> Since the Eboni and sepia were replaced, and neither are used by the glossy
> neutral curves, the system should still be able to print with the curve and
> look exactly like it did before.
I haven't tried that yet. I agree that it should look the same if I
use the Eboni glossy neutral curve, but shouldn't I be using the one
for photo black now that I have PKN loaded?
> For Ilford Galerie Smooth Pearl & Glossy, I recommend these settings: Media
> type: "Photo Quality Ink Jet paper;" Sliders: For neutral: C +5, M -5;
Yup, this is what I did. Any thoughts on why things came out so
much colder than with the curve? Per MIS's instructions, I loaded
the ink in the order C, c, M, m, Y (well, m) (with the cart oriented
as if I were about to load it into the printer). That is correct,
right?
> for
> warm: C -15, M +10, Y +25, Contrast -5 might help open up shadows.
Does that contrast advice apply to warm and neutral both?
> Be sure you're using "Color Controls" checked; Mode - Vivid.
Yup.
--
Ben Rosengart ben@...
"Young people should be seen and not heard, because they're
good-looking but not too bright. We're pretty bright now,
but we're ugly." -- Grace Slick on the '60s youth movementMessage
Re: [Digital BW] 1280 UT2 without sepia; plus, some archival questions
2005-09-06 by Ben Rosengart
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