No matter who does what where when with it, it used to perform the same. Perhaps it has been changed. T --- In DigitalBlackandWhiteThePrint@yahoogroups.com, Steve Kale <stevekale@b...> wrote: > > My understanding is that St Cuthberts Mill ships the substrate and then > Epson has its own (or more likely yet another third party) coating and so > performs much better than Somerset Velvet Enhanced. I agree the Somerset > product isn't that great re density but has a nice finish. I have a couple > of unused boxes tucked away somewhere - not bad ink blotter paper ;-) > > > > From: Tyler Boley <tyler@t...> > > Reply-To: <DigitalBlackandWhiteThePrint@yahoogroups.com> > > Date: Sat, 22 Oct 2005 18:46:22 -0000 > > To: <DigitalBlackandWhiteThePrint@yahoogroups.com> > > Subject: [Digital BW] Re: 2400 Shadow separation and linearity . . . > > > > Velvet Fine Art is simply rebranded Somerset. Though it is nice paper > > the Hahnemühle papers have always been able to get a higher dmax and > > ink load. In comparing Innova to Hahnemühle I would expect it to > > outperform Somerset as well. > > I'm not knocking Somerset, I've seen many nice prints on it, but > > something unusual must be going on with your tests. Perhaps there are > > other settings that would take better advantage of the other papers' > > capabilities. > > Somerset still has one of the nicest surfaces ever produced for our use. > > Tyler > > >
Message
[Digital BW] Re: 2400 Shadow separation and linearity . . .
2005-10-22 by Tyler Boley
Attachments
- No local attachments were found for this message.