Digital BW, The Print

Fiddling.

Gary
----- Original Message ----- 
From: "Steve Kale" <stevekale@...>
To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
Sent: Friday, November 11, 2005 2:32 AM
Subject: Re: [Digital BW] Re: Duotones


Tony that was my question - how to get PS's duotone to match hue.  I can see
in concept that it would work but can't get it down in practice short of an
enormous amount of fiddling and guess work.  Is there a more
regimented/precise way to go about matching the hue or is it really a case
of a lot of fiddling?


> From: Tony Riley <listsubs@...>
> Reply-To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
> Date: Fri, 11 Nov 2005 09:18:34 -0000
> To: <digitalblackandwhitetheprint@yahoogroups.com>
> Subject: Re: [Digital BW] Re: Duotones
>
> Can you try and explain the problem a little more clearly Steve?
> Whats wrong with using the Photoshop Duotone (tritone/quadtone whatever) 
> to
> develop such a file?
> Alternatively you could use the Hue and Saturation 'colorize' route?
>
> TonyR
>
> On 11/11/2005 09:12:15, Steve Kale (stevekale@...) wrote:
>> I'll give this a try but wouldn't it pick up the reduced dynamic range of
>> the print.  I should have been more specific perhaps.
>> I'd like to tint the
>> image file similar to say a warm print but keep the full dynamic range 
>> (as
>> opposed to a file "soft-proof").  For example, if someone wants to send 
>> an
>> image to a magazine and have it printed with the same hue as their QTR
> warm
>> curve but won't
>> have input into the printing process (and so need to send a
>> colour image rather than a greyscale).





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