Well I've just done a lot of work on this excellent paper and I'll look at all the ones I still have inhouse and get back to you tomorrow. I've never heard of such a thing. I have a 24" roll right here so I'll roll it out under strong light and take a look see. John --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "tariqgibranstudio" <tariqgibranstudio@...> wrote: > > John, > > The flaws are very subtle, little tiny specks really sort of like if you touched a ball point > pen tip to the paper. It might be something that most people would not notice. I have yet > to get ANY Museum Etching rolls which do not exhibit this. It usually also is on at least > one sheet of the 17"x22" size in each pack. I'm sure it must have something to do with > the manufacturing process. Other than that, it is definately my favorite paper at the > moment. It is more durable than German Etching as it is 100% Cotton Rag, not the weaker > Alpha Cellulose of the German Etching. I have yet to see any flaking with it which I > occasionally saw with German Etching but of course now I always brush the paper before > printing. It just irks me a bit that I'm paying more for the Museum Etching and I have yet > to see a perfect roll or Box. On a rolls, its not just one dot but many every so many feet > vertically but only one horizontally. If you look closely, I bet you will notice it. I would be > curious to hear from anyone else who has seen this or might know why these dots are > there. They were not there on the German Etching at all. > > Tariq > --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "john dean" <deanwork2003@> > wrote: > > > > Tariq, > > > > Oh no. That is terrible. No, I've seen no flaws in the about 4 rolls > > of the Museum Etching that I've used so far. I don't know if this is > > just my experience or not but this paper seems a lot more durable than > > German Etching, far less tender, and I've been putting a lot blacks > > down on it. It seems more like the Innova coating but with better > > dmax. I sure hope I don't experience any problem because this is my > > new favourite paper because I'll send it back, immediately. I'm about > > to do two large portfolios with this stuff and I can't deal with that. > > > > I'll tell you right now I've been using Hahnemuhle papers for about 6 > > years, every month, and never have I had a quality control problem of > > any kind. It has been my most consistently good media. I don't think > > that is luck, I think it is a good German craftsmanship. I will keep a > > look out though. Thanks for the forewarning. > > > > John > > > > > > > > > > I see these small tiny black or gray dots every so many feet. Looks > > like > > > where a machine has handled or marked it. Never ever saw this with > > German Etching and > > > its a real issue as It will almost invaribly end up in a white > > border or margin ever so often > > > unless I waste some of this very expensive paper. Have you seen this? > > > > > > Tariq > > > > > > > > > --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "john dean" > > <deanwork2003@> > > > wrote: > > > > > > > > For the life of me I can't understand you guys paying that kind of > > > > money for sheet of rag media. To me it is just not even something I > > > > would remotely consider at those prices. I have only had one issue > > > > with using good roll media, and that is flattening the prints > > > > afterwards, and that is certainly no big deal for me. I brush the > > > > media quickly while on the machine with a large drafting brush, and I > > > > have no flaking problems at all anymore. But the key for me was when I > > > > bought the 53" Rototrim paper cutter that will accept the width of the > > > > lare rolls, it costs $700.00. But I got it half price with a teacher > > > > discount. This self sharpening device has been my most loyal friend > > > > for 5 years and is still like new. > > > > > > > > As a matter of fact for roll paper I am using the very thick > > > > Hahnemuhle Museum Etching rag now at 350 gsm and the 9600 cuts through > > > > it completely just fine. Even the old 7000 scores is so well I just > > > > tear it off very easily, however usually what I do in a print run is > > > > stroke the edges of each print in PS with a thin grey line and take > > > > them to the Rototrim all at once with a number of prints on that roll. > > > > I couldn't imagine sitting here feeding a sheet at a time like a robot > > > > all day. I'd rather be in the other room watching a DVD or or working > > > > on the drum scaner or another printer. What I would really like to > > > > have is one of those mechanized roll up devices for the bottom of the > > > > printer that would allow you to print a half a roll or more at a time > > > > out of a good rip. Now that would make me money while I sleep. I do > > > > all my proofing of many things at once and evaluate all that way > > > > before the final output. > > > > > > > > John > > > > > > > > > >
Message
Hahnemuhle
2006-04-10 by john dean
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