Digital BW, The Print

Well said. The films of these guys are more "real" if you want to use
a 10 cent word that has no "real" value in the "real" artworld. There
is nothing missing in early Hitchcock. That is the highest form of
visual expression accomplished in photography in over 100 years. Most
people who are "real" artists and not techno marketers know that.


> 
> Come to think of it. If I go to an old B&W movie like 
> Polanski's Repulsion, Cul de Sac, Cassevete's Shadows, 
> whatever from that period when color was available but not 
> affordable for everyone, you don't think about abstraction 
> after the first 10 seconds. Deneuve, Pleasence, become as real 
> as they were in color movies.
> 
> Met vriendelijke groeten,  Ernst
> 
> 
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