Digital BW, The Print

You might find a neutral (cool) in the M & LM (or C & LC) would be
effective.  Just a single neutral yellow may not be enough.  The yellow spot
puts less ink in the light areas than do the other channels.

 

Paul

www.PaulRoark.com <http://www.paulroark.com/>  

 

 

  _____  

From: DigitalBlackandWhiteThePrint@yahoogroups.com
[mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of Philip
Schwartz
Sent: Tuesday, December 19, 2006 5:55 PM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: [Digital BW] Re: Cooling down UT-R2 inks

 

I also found the straight UT-R2W too warm. I have just created some
color swabs of the UT-R2 neutral and warm yellows. The warm yellow is
considerably warmer than the neutral, so you might try swapping in a
neutral yellow. The extent of the effect will depend on how the driver
is partitioning the inks. You should be able to mix and match the
neutral and warm inks, so you can also play with more combinations.

--- In DigitalBlackandWhit
<mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com>
eThePrint@yahoogroups.com, "peter_k_ellis"
<peter_k_ellis@...> wrote:
>
> I've just taken delivery of an R220 plus UT-R2 Warm Print inks. My 
> initial tests on various matte papers have been very encouraging but 
> I'm stating to wonder if the warm effect is, well, a bit too warm for 
> my personal taste.
> I've read some of the info from Paul R on warming up a Neutral set of 
> inks but I'm not sure if I completely understand what I would need to 
> do to cool down my warm set. Using EZ-Warm ink was mentioned for 
> warming a neutral set but I'm not sure what that ink is.
> 
> Any suggestions gratefully received.
> 
> Peter
>

 



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