Digital BW, The Print

Sorry, did not get that, it must be Monday.

Mark
http://www.stillrivereditions.com

On Apr 6, 2009, at 4:23 PM, Tyler Boley wrote:

> Mark, just joking, badly.
> Thanks for the report.
> Tyler
>
> --- In DigitalBlackandWhiteThePrint@yahoogroups.com, Mark Savoia  
> <mark@...> wrote:
>>
>> If somebody wants to toss me a few sheets to run. I am now into
>> another project so it might be awhile till I get to it.
>>
>> Mark
>> http://www.stillrivereditions.com
>>
>> On Apr 6, 2009, at 4:15 PM, Tyler Boley wrote:
>>
>>> well could ya get some?
>>> Tyler
>>>
>>> --- In DigitalBlackandWhiteThePrint@yahoogroups.com, Mark Savoia
>>> <mark@> wrote:
>>>>
>>>> I do not have that paper.
>>>>
>>>> Mark
>>>> http://www.stillrivereditions.com
>>>>
>>>> On Apr 6, 2009, at 3:43 PM, Clayton Jones wrote:
>>>>
>>>>> Hello Mark,
>>>>>
>>>>>> I have had my Epson 9900 for a few weeks now and was finally
>>>>>> able to
>>>>>> do some tests to compare its ABW mode vs Piezotone selenium inks.
>>>>>> Bottom line, the Piezotones have much more depth to them. They  
>>>>>> look
>>>>>> 3D and the 9900 black and white prints do not. Color on the  
>>>>>> 9900 I
>>>>>> was able to tweak to match the Pieozone fairly close. All tests
>>>>>> were
>>>>>> done on Hahnemuhle Photo Rag.
>>>>>
>>>>> Thanks for the report.  Is there any chance you can do the same
>>>>> comparison on VFA?  The reason I ask is that HPR was one of my top
>>>>> papers when I used Eboni-based ink sets, while VFA was good but
>>>>> didn't stand out.  I kept some on hand only for testing.
>>>>>
>>>>> When my 2200 died the replacement warranty I had purchased with it
>>>>> delivered to me a new 2400.  After acclimating to the new system I
>>>>> found that the combination of K3 inks and VFA produced far better
>>>>> results than K3/HPR, and even better than Eboni/HPR in some ways.
>>>>> The depth effect as you mention (among other things), was very  
>>>>> rich
>>>>> compared to previous results.
>>>>>
>>>>> The result is that my entire paper lineup changed.  I still have
>>>>> some HPR and I'm slowly trying to use it up, but it only works  
>>>>> well
>>>>> with a certain few images (and even then it's just  
>>>>> acceptable).  My
>>>>> general impression is that K3 and HPR are simply not a good match,
>>>>> for whatever reason.  Getting good results with it always seems
>>>>> like a struggle, where VFA just sings easily in tune.  BTW,  
>>>>> another
>>>>> favorite K3 paper for me is Innova's Soft Texture Art (STA).  It's
>>>>> the best non-OBA paper for K3 I've found.  Hawk Mtn's Merlin
>>>>> Natural is also a fine K3 paper, as is Museo Max - please don't  
>>>>> get
>>>>> the impression that K3 is only good on one paper.
>>>>>
>>>>> Bottom line is don't judge the ink by testing on just one paper.
>>>>> It can make a big difference.  PZ may still beat out K3 on VFA,  
>>>>> but
>>>>> you won't know for sure until you test it.  K3 is also superb on
>>>>> the Fiber Gloss type papers.
>>>>>
>>>>> Regards,
>>>>> Clayton
>>
>>
>>
>> [Non-text portions of this message have been removed]
>>
>
>
>
>
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