Digital BW, The Print

Humm...seems good enough for me...now I have to find a 1400 and set it up.I do have a PrintFix, so I guess I can make all the profiles I need with it, and as as surely like matte and some luster/baryta papers, it looks like it's the way to go.
Thanks one more time Paul, you been helping me to set up since a long time ago...I don't know how many years have passed since you sent me the first BW samples from a 1160, but I do remember to have a lot of hair by then! (8-)
André

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "pr_roark" <pr_roark@...> wrote:

> 
> A monotone inkset that is dedicated to only one tone and paper can be a bit smoother, but I'm not sure many could see the difference.  Also, one can put a lighter ink in the UT14 Y position in place of the glop and make it a hair smoother.  Recall, however, that the UT14 already has light inks, which Epson doesn't even bother with in the 1800 and 1900.  For my brochures, I use PK black only in a 1400, and they look good.  So, the light inks that are in the UT14 inkset are generally smooth enough that I don't hear many wanting lighter ones.
> 
> > Does the UT14C plays any role here?
> 
> It is used in most profiles.
> 
> > Oh, and I love to print on Ilford Gold Fibre Silk...
> 
> So, you might want to leave the glop in there.
> 
> Paul
> www.PaulRoark.com
>