Digital BW, The Print

If you have PrintFIX PRO, you should go to the Datacolor website and  
download the Spyder3Print SR software to use with it.

C. D. Tobie
Global Product Technology Mngr.
Digital Imaging & Home Theater
Datacolor.com
CDTobie@Datacolor.com

On Sep 4, 2009, at 7:08 PM, "andrevallejo" <vallejodasilva@gmail.com>  
wrote:

> Humm...seems good enough for me...now I have to find a 1400 and set  
> it up.I do have a PrintFix, so I guess I can make all the profiles I  
> need with it, and as as surely like matte and some luster/baryta  
> papers, it looks like it's the way to go.
> Thanks one more time Paul, you been helping me to set up since a  
> long time ago...I don't know how many years have passed since you  
> sent me the first BW samples from a 1160, but I do remember to have  
> a lot of hair by then! (8-)
> André
>
> --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "pr_roark"  
> <pr_roark@...> wrote:
>
>>
>> A monotone inkset that is dedicated to only one tone and paper can  
>> be a bit smoother, but I'm not sure many could see the difference.   
>> Also, one can put a lighter ink in the UT14 Y position in place of  
>> the glop and make it a hair smoother.  Recall, however, that the  
>> UT14 already has light inks, which Epson doesn't even bother with  
>> in the 1800 and 1900.  For my brochures, I use PK black only in a  
>> 1400, and they look good.  So, the light inks that are in the UT14  
>> inkset are generally smooth enough that I don't hear many wanting  
>> lighter ones.
>>
>>> Does the UT14C plays any role here?
>>
>> It is used in most profiles.
>>
>>> Oh, and I love to print on Ilford Gold Fibre Silk...
>>
>> So, you might want to leave the glop in there.
>>
>> Paul
>> www.PaulRoark.com
>>
>
>
>
>
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