Wonderful, deep blacks
2011-02-23 by Lew Schwartz
I posted the below to a traditional, wet darkroom group, asking if any of the neutral tone developers would help. I'm posting here to ask if any of your inkjet experiences look anything like the gum-platinum prints in the show. Just getting back from Stieglitz, Steichen, Strand at the Met. I'm completely blown away by the difference between the wonderful deep tones of the gum over platinum prints vs the gs prints, including the ones made by Steiglitz himself. There's such a visible difference between the washed out greys of the gs and the velvety blacks of the other processes! [Non-text portions of this message have been removed]