>
> Jerry,
>
> Greetings from the Nations Capital...it's been a while since we spoke.
>
> Question: Since Small Gamut inks are dye-based, have you ever tried them on
> Somerset Velvet uncoated paper?
>
> I know, I know...the d-max is not as great as on coated papers, but that is
> not an issue for me...I like the soft painterly look I get on uncoated
> papers.
>
> I am considering SG and would agree that glossy prints are a bit tacky and
> not salable at all!!!
>
> I use a lot of Somerset Velvet uncoated with my dye based 7000...I love the
> look and the price of the paper, but am tiring of the color crossover issues
> on subtly toned prints. SG or even VM Sepia may be a good solution.
>
> Any suggestions on how to profile SG inks...I have a Spectrocam and Profiler
> Pro software...what do you think...any experience with SG on uncoated
> papers?
>
> Regards...Craig
> ------------------------------------------
> http:www.craigsterling.com "Photography With a Sense of Place"
>
> > From: Jerry Olson <jerryolson@...>
> > Reply-To: DigitalBlackandWhiteThePrint@yahoogroups.com
> > Date: Wed, 06 Nov 2002 13:39:10 -0600
> > To: DigitalBlackandWhiteThePrint@yahoogroups.com
> > Subject: Re: [Digital BW] OT: Yousuf Karsh at Oswald Gallery here in Austin
> >
> > Lyson small gamut inks on glossy papers absolutely equal the d max of a
> > silver print. I tried it. It works. But I really do not want to sell or
> > print glossy prints. They look tacky and cheap to me.
> >
> > Jerry
> >
> > I saw an example of the original neutral dye inks on watercolor paper
> > many years ago that had a fabulous black. But that was the era of large
> > dots showing up when printing on the 800 and 3000 printers, so never
> > pursued that route. With the 1280 printer, I was wondering what they
> > would be like?
> >
> >
> >
> >
> >
> >
> > Julian Thomas wrote:
> >>
> >> Jerry, could you expand on that a bit? I'm more and more looking to dyes
> >> both in colour and BW- I wish I'd gotten to Lincoln inks BW dyes before they
> >> pulled them. I realise that semimatte RC-type paper isn't PR, but matted and
> >> behind glass??
> >>
> >> Julian
> >> ----- Original Message -----
> >> From: "Jerry Olson" <jerryolson@...>
> >> To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
> >> Sent: Tuesday, November 05, 2002 10:43 PM
> >> Subject: Re: [Digital BW] OT: Yousuf Karsh at Oswald Gallery here in Austin
> >>
> >>> You can, if you use dye inks on glossy papers. But that isn't fine art
> >>> print quality to me.
> >>>
> >>> Jerry
> >>>
> >>>
> >>>
> >>> andrewmbiggs wrote:
> >>>>
> >>>> OT: Yousuf Karsh at Oswald Gallery here in Austin. Absolutely
> >>>> stunning work. I have only seen his work in books until now.
> >>>> Absolutely a master.
> >>>>
> >>>> Wouldn't it be nice to get deep blacks like that digitally? :-)
> >>>>
> >>>>
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