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Getting started -- Cone or MIS?

Getting started -- Cone or MIS?

2001-09-27 by f@frankpetronio.com

I imagine that this has been covered, but which is the best way 
for an experienced Mac based digital photographer to get 
serious about digital printmaking? I've been involed with imaging 
for years, even had my own IRIS for commercial work, but tried to 
ignore the whole concept of archival inkjets. But now I see that 
they are 'ready for prime time" at a reasonable price. I'm leaning 
towards an Epson 1160 with Cone's Piezography™BW software 
and inkset, but I see an awful lot of people using MIS inks. Has 
anyone out there used both and can give an honest evaluation?
Is the 1160 a decent machine given its size limitations? 
Thanks,
Frank

RE: [Digital BW] Getting started -- Cone or MIS?

2001-09-27 by Nij

Frank...

It's all in the Files section of this group...
http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint/files/Ink%20data/
Piezo%20vs.%20MIS%20VM%20on%20the%207000
(this link won't work unless you stitch it back to being on one line)

The 1160 is a great machine! But can you still get them in the States?

Best regards,
Nij
Show quoted textHide quoted text
> -----Original Message-----
> From: f@... [mailto:f@...]
> I imagine that this has been covered, but which is the best way
> for an experienced Mac based digital photographer to get
> serious about digital printmaking? I've been involed with imaging
> for years, even had my own IRIS for commercial work, but tried to
> ignore the whole concept of archival inkjets. But now I see that
> they are 'ready for prime time" at a reasonable price. I'm leaning
> towards an Epson 1160 with Cone's Piezography\ufffdBW software
> and inkset, but I see an awful lot of people using MIS inks. Has
> anyone out there used both and can give an honest evaluation?
> Is the 1160 a decent machine given its size limitations?
> Thanks,
> Frank
>

Re: [Digital BW] Getting started -- Cone or MIS?

2001-09-27 by Martin Wesley

Frank,

I would add is that there is a difference in the colorcast between 
the different ink sets and that colorcast varies with the paper used. 
Some people seem to be more sensitive to print color than others and 
some have different tastes. Unfortunately I don't know of anyway to 
really show or describe this to you since it seems to vary from 
person to person.

The other issues that do not show up with the 7000 comparison because 
of its advanced mechanics but are issues with the smaller printers 
are clogging and banding. My experience so far on a 1200 is that the 
Piezo is much easier to use and get good prints from a software point 
of view but from a mechanical point of view seems to have banding and 
clogging problems that I have not seen at all with the MIS inks in a 
1280.

On an 1160 you could start with Piezo and then try the MIS Full 
Spectrum inks with the Piezo driver later to see how the colorcast of 
the inks varies.

Martin



--- In DigitalBlackandWhiteThePrint@y..., "Nij" <nigel@m...> wrote:
> Frank...
> 
> It's all in the Files section of this group...
> 
http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint/files/Ink%
20data/
> Piezo%20vs.%20MIS%20VM%20on%20the%207000
> (this link won't work unless you stitch it back to being on one 
line)
> 
> The 1160 is a great machine! But can you still get them in the 
States?
Show quoted textHide quoted text
> 
> Best regards,
> Nij
> 
> 
> 
> > -----Original Message-----
> > From: f@... [mailto:f@...]
> > I imagine that this has been covered, but which is the best way
> > for an experienced Mac based digital photographer to get
> > serious about digital printmaking? I've been involed with imaging
> > for years, even had my own IRIS for commercial work, but tried to
> > ignore the whole concept of archival inkjets. But now I see that
> > they are 'ready for prime time" at a reasonable price. I'm leaning
> > towards an Epson 1160 with Cone's Piezography™BW software
> > and inkset, but I see an awful lot of people using MIS inks. Has
> > anyone out there used both and can give an honest evaluation?
> > Is the 1160 a decent machine given its size limitations?
> > Thanks,
> > Frank
> >

Re: [Digital BW] Getting started -- Cone or MIS?

2001-09-27 by Jerry Olson

The 1160 is the machine of choice for black and white printing. The 1280
is also an excellent choice.


The cone Piezo inks are quite warm, I would say brown on pure white
papers. Some people love this, I don't. 

The Piezo inks are five times more expensive than the MIS Variable tone
Hextone or Quad tone inks, and they have paper profiles for the most
popular papers.

The MIS Variable tone inks can be used anywhere from warm to very cold,
and if you us Paul Roark's curves, the quality will equal the piezo
prints in every respect. I've used both, and have both currently. When
the piezo inks are gone, I will be switching to the MIS inks, because of
the tones and the price.  

Piezo does give excellent results right out of the box, but with minor
twiddling, MIS equals that quality.

Jerry






f@... wrote:
Show quoted textHide quoted text
> 
> I imagine that this has been covered, but which is the best way
> for an experienced Mac based digital photographer to get
> serious about digital printmaking? I've been involed with imaging
> for years, even had my own IRIS for commercial work, but tried to
> ignore the whole concept of archival inkjets. But now I see that
> they are 'ready for prime time" at a reasonable price. I'm leaning
> towards an Epson 1160 with Cone's Piezography\ufffdBW software
> and inkset, but I see an awful lot of people using MIS inks. Has
> anyone out there used both and can give an honest evaluation?
> Is the 1160 a decent machine given its size limitations?
> Thanks,
> Frank
> 
> 
> Please visit the Group Homepage to check the Files, Bookmarks, Polls and other resources as they are often being updated. The page is at:
> 
> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
> 
> Please follow these basic guidelines:
> - Include your full name with your message.
> - Include the address of your website, if you have one.
> - As threads develop, trim off excess portions of earlier messages to keep them short.
> - As the topic of a thread changes remember to change the subject header.
> - Good manners are required at all time. No personal attacks or "flames."
> - Complete your Yahoo profile.
> - Before posting a question, search the message archives and the various resources on the homepage.
> 
> 
> 
> Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/

Re: Getting started -- Cone or MIS?

2001-09-29 by hgporter@yahoo.com

..., Jerry Olson <jerryolson@r...> wrote:

> The 1160 is the machine of choice for black and white printing. 
The 1280
> is also an excellent choice.
> 
> 
> The cone Piezo inks are quite warm, I would say brown on 
pure white
> papers. Some people love this, I don't.

Jerry & I have exchanged "opinioinated" conversation about this. 
Piezo has a slight warm tone — But it is far from brown. The tone 
is no where near a sepia on every paper I have used or seen in 
two print exchanges from 60+ print makers. This evaluation 
includes when I hold them side by side with a print made with a 
cool tone monochrome set using Paul Roarke's curves. Warm 
black is quite different from brown.

> 
> The Piezo inks are five times more expensive than the MIS 
Variable tone
> Hextone or Quad tone inks, and they have paper profiles for the 
most
> popular papers.

A set of ConeTech Pigmented Quad inks is $260 for 4-4oz 
bottles. I guess that puts a set of MIS inks at about $50 for the 
same.  In all my life I have rarely seen a price disparity this great 
for an equal quality product. 

Inkjetmall.com will send you a sample print for your evaluation. 
You can even send a neg or file and have them create a sample 
print from your image. It would be worth the investment before 
deciding on which system to utilize.

> Piezo does give excellent results right out of the box, but with 
minor
> twiddling, MIS equals that quality.
> 
> Jerry
> 
> 

The other thing to consider is how much "twiddling" — time — 
you are willing to spend. If you are selling your images, time is 
valuable.

Re: Getting started -- Cone or MIS?

2001-10-01 by Jose Luis Martinez

Hi all,

On Saturday I saw Julian Thomas Piezo prints on Hahnemuler William Turner
and Photo Rag... just one word: beautiful.

I was amazed! I've been shooting for 20 years.
I've done several exhibits and I must say that
those piezo prints have virtually no quality differences from
a traditional B&W print.

But, getting the piezo inks from Spain is so expensive (5x more than
MIS + 30% more in shipping and taxes!)... So I'm
also very interested in the 'Piezo driver-MIS FS inks' combination, so
if there's people using this combination, could they elaborate
more on this? Is there any additional adjustments that have to be done
to get the same result as Piezo inks? metamerism? fading? etc.

TIA!

Jose Luis Martinez
Barcelona - Spain

________________________________________________________________________
________________________________________________________________________

Message: 18
   Date: Sun, 30 Sep 2001 12:21:46 +0200
Show quoted textHide quoted text
   From: "Julian Thomas" <julianthomas@...>
Subject: Re: Re: Getting started -- Cone or MIS?

Martin,
I think a lot of the problems with piezo are down to the printer. I have had
one 'bad' 1160. Which clogged, needed loads of care and was eventually
replaced under warranty. I now have two 1160s that work flawlessly. One
printer has just printed 25 exhibition prints (A3+), 35 portfolio prints
(A3), 25 sheets A3+ of business cards, 25 A4 press prints (glossy), plus
work prints. Without a  single clog. However, especially for those of us in
Europe, piezo inks are very expensive. Could you talk more about the
difference between Piezo and FIS with the piezo driver? I'm getting a number
of people in Spain (hi Jose!) looking at my prints and wondering which way
to jump. I'm advising to go with Piezo first as an out of the box solution,
and then to try FIS with the piezo driver. The profiles and software of
piezo are important for beginners IMO. Also  I believe that people thinking
of buying a system need to see the prints and should be wary of making
decisions based on 'list-talk'. When I show prints ot people, I always try
and show more than one paper (yesterday I showed WT and Photorag - the
difference between the two is large IMO).
Like Jerry, I think that the piezo demo print is a bad one, and Som. En is a
bad paper to use for a demo - it must be the 'warmest'  paper around for
piezo.

Julian
----- Original Message -----
From: "Martin Wesley" <mwesley250@...>
To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
Sent: Sunday, September 30, 2001 7:38 AM
Subject: [Digital BW] Re: Getting started -- Cone or MIS?


> Jim,
>
> I'm glad to hear you are getting some good results. I also salute
> your persistence through all the problems you have had over the past
> few months. This list is new and a lot of the MIS users are new to
> the inks as well, but so far I don't think there has been any mention
> of a clogging problem with MIS inks.
>
> I am running the MIS VM in a 1280 and three times I have had visible
> white banding that was quickly traced to one or two non-firing
> nozzles. So far only on the black cartridge. A single nozzle clean
> cycle cleared up the problem twice and once I had to run the cycle 3
> times. So at this point clogging appears to be on a level with the
> Epson inks. Time may prove differently but so far it is a great
> relief over the many over night waits I had to do with Piezo on my
> 1200. In fact when I fired up the CIS with the MIS on the 1280 I was
> able to print immediately.
>
> I have three prints by Bernd Langmack of the same image from an 8x10
> negative. One with Piezo inks, one with MIS FS inks with the Piezo
> driver and one with MIS FS inks with the Epson drivers. All were done
> on an 1160 and all three are excellent. The Piezo print is perhaps
> the best Piezo print I have ever seen with no detectable pattern
> under magnification at all (unlike my 1200). The same is true for the
> MIS with the Piezo driver. The contrast and tone are different from
> the Piezo but I would not say one is better. On the print using the
> MIS with the Epson driver I can see the dot pattern in the high
> lights but only with magnification. At a normal viewing distance the
> pattern is invisible. No banding of any kind on the three prins.
>
> With the Piezo driver I see little or no advantage to using a 6-ink
> printer. With the Epson driver I do see an advantage. The dots are
> not smaller but with more nozzles the dot pattern gets harder to
> detect.
>
> I can see some microscopic banding with the MIS on the 1280 with the
> Epson driver. It is not light banding but more of a vague linear
> pattern in the darker tones. This only shows up in very smooth areas
> of the print and is completely invisible if there is any pattern or
> texture in the image. Not an issue for normal viewing in any case and
> much less noticeable then the microscopic light banding and window
> screen with Piezo on the 1200.
>
> I will probably give Piezo another try when both the "selenium" inks
> and the 1280 driver are available. Hopefully ConeTech will have
> resolved the clogging issues with the new ink.
>
> For new comers I have a hard time telling them which way to go. With
> the Piezo the software end is really nice and I think you can get to
> a tonally good print more quickly. On the other hand Piezo has all
> these clogging problems that get to be a major source of frustration
> plus the "Hayes syndrome" and the yellow or olive-green cast
> metamerism that some people see under artificial light.
>
> With the MIS there appear to be none of the mechanical issues but the
> current workflows are not as well developed and you may have to spend
> more time working with your images and/or the curves to refine your
> final prints. This is an evolving situation and the gap will narrow
> with time. Actual use of the workflows is not as user friendly as
> Piezo but what you have to do is rather trivial. I see some
> metamerism with the MIS VM but it is in reverse with a blue-green
> cast in daylight and neutral under artificial light.
>
> Please keep us posted on your progress. I sincerely hope you can get
> back to printing and can stop all the testing and cleaning!
>
> Martin
>
>
> --- In DigitalBlackandWhiteThePrint@y..., "Jim Hayes" <jimhayes@j...>
> wrote:
> > A caution: I had a problem with Piezo inks. I no longer think they
> are
> > viable for longterm use in 1160. Hate to say that, that's just my
> > experience. My experience with MIS inks is new, so they are to be
> > taken as my initial impressions only.
> >
> > After a year with Piezo inks, I'm discontinuing them. I can't clear
> my
> > printer fully of what is now called "Hayes Syndrome" on the Piezo
> > list. When I compare MIS Full Spectrum inks set up on a spare 1160
> > with the Piezo prints from my old clogging up with Piezo printer,
> the
> > Piezo inks definetly have a green tinge, and remnants of the other
> > symptoms.
> >
> > I very much like the tone of these  FS MIS inks, a bit warm but
> nice,
> > not sickly.
> >
> > Until this problem is solved (and Cone says he IS working on it)
> I'm
> > not going back. I really don't mean to badmouth his setup<sigh>.
> >
> > OTOH I find that even using John Woolf's workflow, when I examine
> > prints done with Epson driver ("error diffusion" setting") vs Piezo
> > driver with MIS FS inks, I can see dots in highlights and I get
> very
> > tiny tiny microbanding with Epson driver/Woolf workflow....but the
> > Piezo driver is smooth. This is counter-intuitive for microbanding,
> > but there it is. Please note that I only see the highlight dots and
> > microbanding when using my CRI 98 Ott-lite and viewing from 1 foot
> > away. I don't know why, but viewed under typical tungsten lighting
> of
> > varying intensity, I can't see the dots/banding at all.
> >
> > The piezo driver seems  (still some uncertainy)to print a bit
> > contratier than the Epson. In this case for some photos, I wonder
> if
> > the Epson driver still might be better, if a textured paper was
> used.
> > S. E. photo textured paper seems to "almost" hide the microbanding
> > even when I put the Ott-lite up real close.
> >
> > I am curious if I have the settings wrong for the Woolf workflow.
> His
> > screen shot of settings did not match my driver dialogue choices,
> so I
> > e-mailed him as to the discrepancies (i.e. "Halftone" setting not
> > availabe, J.W.---->use "error diffusion" instead).
> >
> > So, if I can swing it, I'll be using the Piezo driver with MIS FS
> > inkset. I am going to conduct my usual fade testing of some papers
> > profiled by Cone in this manner, as some on the Piezo list are
> aware I
> > already do.
> > Jim H.
>
>
>
> Please visit the Group Homepage to check the Files, Bookmarks, Polls and
other resources as they are often being updated. The page is at:
>
> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
>
> Please follow these basic guidelines:
> - Include your full name with your message.
> - Include the address of your website, if you have one.
> - As threads develop, trim off excess portions of earlier messages to keep
them short.
> - As the topic of a thread changes remember to change the subject header.
> - Good manners are required at all time. No personal attacks or "flames."
> - Complete your Yahoo profile.
> - Before posting a question, search the message archives and the various
resources on the homepage.
>
>
>
>
> Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/
>
>
>



________________________________________________________________________
________________________________________________________________________

Message: 19
   Date: Sun, 30 Sep 2001 10:34:20 -0500
   From: Jerry Olson <jerryolson@...>
Subject: Re: Re: Getting started -- Cone or MIS?

Jim Do try the VM inks and Paul Roark's curves. Absolutely no dots and
no banding.

Jerry





Jim Hayes wrote:
>
> A caution: I had a problem with Piezo inks. I no longer think they are
> viable for longterm use in 1160. Hate to say that, that's just my
> experience. My experience with MIS inks is new, so they are to be
> taken as my initial impressions only.
>
> After a year with Piezo inks, I'm discontinuing them. I can't clear my
> printer fully of what is now called "Hayes Syndrome" on the Piezo
> list. When I compare MIS Full Spectrum inks set up on a spare 1160
> with the Piezo prints from my old clogging up with Piezo printer, the
> Piezo inks definetly have a green tinge, and remnants of the other
> symptoms.
>
> I very much like the tone of these  FS MIS inks, a bit warm but nice,
> not sickly.
>
> Until this problem is solved (and Cone says he IS working on it) I'm
> not going back. I really don't mean to badmouth his setup<sigh>.
>
> OTOH I find that even using John Woolf's workflow, when I examine
> prints done with Epson driver ("error diffusion" setting") vs Piezo
> driver with MIS FS inks, I can see dots in highlights and I get very
> tiny tiny microbanding with Epson driver/Woolf workflow....but the
> Piezo driver is smooth. This is counter-intuitive for microbanding,
> but there it is. Please note that I only see the highlight dots and
> microbanding when using my CRI 98 Ott-lite and viewing from 1 foot
> away. I don't know why, but viewed under typical tungsten lighting of
> varying intensity, I can't see the dots/banding at all.
>
> The piezo driver seems  (still some uncertainy)to print a bit
> contratier than the Epson. In this case for some photos, I wonder if
> the Epson driver still might be better, if a textured paper was used.
> S. E. photo textured paper seems to "almost" hide the microbanding
> even when I put the Ott-lite up real close.
>
> I am curious if I have the settings wrong for the Woolf workflow. His
> screen shot of settings did not match my driver dialogue choices, so I
> e-mailed him as to the discrepancies (i.e. "Halftone" setting not
> availabe, J.W.---->use "error diffusion" instead).
>
> So, if I can swing it, I'll be using the Piezo driver with MIS FS
> inkset. I am going to conduct my usual fade testing of some papers
> profiled by Cone in this manner, as some on the Piezo list are aware I
> already do.
> Jim H.
>
>
> Please visit the Group Homepage to check the Files, Bookmarks, Polls and
other resources as they are often being updated. The page is at:
>
> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
>
> Please follow these basic guidelines:
> - Include your full name with your message.
> - Include the address of your website, if you have one.
> - As threads develop, trim off excess portions of earlier messages to keep
them short.
> - As the topic of a thread changes remember to change the subject header.
> - Good manners are required at all time. No personal attacks or "flames."
> - Complete your Yahoo profile.
> - Before posting a question, search the message archives and the various
resources on the homepage.
>
>
>
> Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/


________________________________________________________________________
________________________________________________________________________

Message: 20
   Date: Sun, 30 Sep 2001 08:55:04 -0700
   From: "Chuck Ferris" <chuckferris@...>
Subject: Epson 3000 available

I have an Epson that I wish to sell.
I recently purchased a 7000 and no longer
have use for the 3000.
The unit is in excellent condition and
has had light use.
Call for details.
Chuck Ferris
415.453.3577


[Non-text portions of this message have been removed]



________________________________________________________________________
________________________________________________________________________

Message: 21
   Date: Sun, 30 Sep 2001 15:57:27 -0000
   From: ramestic@...
Subject: Re: Getting started -- Cone or MIS?

Hello, after reading this list it really looks like an 8bit workflow
is "enough" for a desktop printer (like the 860/1160). Are you using a
printer like this ones?

I still do not quite understand why the Piezo people put some effort
in delivering a 16 bit driver for printers like the ones obove.

Comments are pretty much appreciated,
 Rodrigo

--- In DigitalBlackandWhiteThePrint@y..., Jerry Olson
<jerryolson@r...> wrote:
> Jim Do try the VM inks and Paul Roark's curves. Absolutely no dots
and
> no banding.
>
> Jerry
>
>
>
>
>
> Jim Hayes wrote:
> >
> > A caution: I had a problem with Piezo inks. I no longer think they
are
> > viable for longterm use in 1160. Hate to say that, that's just my
> > experience. My experience with MIS inks is new, so they are to be
> > taken as my initial impressions only.
> >
> > After a year with Piezo inks, I'm discontinuing them. I can't
clear my
> > printer fully of what is now called "Hayes Syndrome" on the Piezo
> > list. When I compare MIS Full Spectrum inks set up on a spare 1160
> > with the Piezo prints from my old clogging up with Piezo printer,
the
> > Piezo inks definetly have a green tinge, and remnants of the other
> > symptoms.
> >
> > I very much like the tone of these  FS MIS inks, a bit warm but
nice,
> > not sickly.
> >
> > Until this problem is solved (and Cone says he IS working on it)
I'm
> > not going back. I really don't mean to badmouth his setup<sigh>.
> >
> > OTOH I find that even using John Woolf's workflow, when I examine
> > prints done with Epson driver ("error diffusion" setting") vs
Piezo
> > driver with MIS FS inks, I can see dots in highlights and I get
very
> > tiny tiny microbanding with Epson driver/Woolf workflow....but the
> > Piezo driver is smooth. This is counter-intuitive for
microbanding,
> > but there it is. Please note that I only see the highlight dots
and
> > microbanding when using my CRI 98 Ott-lite and viewing from 1 foot
> > away. I don't know why, but viewed under typical tungsten lighting
of
> > varying intensity, I can't see the dots/banding at all.
> >
> > The piezo driver seems  (still some uncertainy)to print a bit
> > contratier than the Epson. In this case for some photos, I wonder
if
> > the Epson driver still might be better, if a textured paper was
used.
> > S. E. photo textured paper seems to "almost" hide the microbanding
> > even when I put the Ott-lite up real close.
> >
> > I am curious if I have the settings wrong for the Woolf workflow.
His
> > screen shot of settings did not match my driver dialogue choices,
so I
> > e-mailed him as to the discrepancies (i.e. "Halftone" setting not
> > availabe, J.W.---->use "error diffusion" instead).
> >
> > So, if I can swing it, I'll be using the Piezo driver with MIS FS
> > inkset. I am going to conduct my usual fade testing of some papers
> > profiled by Cone in this manner, as some on the Piezo list are
aware I
> > already do.
> > Jim H.
> >
> >
> > Please visit the Group Homepage to check the Files, Bookmarks,
Polls and other resources as they are often being updated. The page is
at:
> >
> > http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
> >
> > Please follow these basic guidelines:
> > - Include your full name with your message.
> > - Include the address of your website, if you have one.
> > - As threads develop, trim off excess portions of earlier messages
to keep them short.
> > - As the topic of a thread changes remember to change the subject
header.
> > - Good manners are required at all time. No personal attacks or
"flames."
> > - Complete your Yahoo profile.
> > - Before posting a question, search the message archives and the
various resources on the homepage.
> >
> >
> >
> > Your use of Yahoo! Groups is subject to
http://docs.yahoo.com/info/terms/



________________________________________________________________________
________________________________________________________________________

Message: 22
   Date: Sun, 30 Sep 2001 16:19:20 -0000
   From: buckwiet@...
Subject: Re: Panorama Paper, i.e. long prints

Tim & Martin -

I just joined yesterday for the purpose of learning how to do this
(printing 12"x84" panoramas) since they cost around $300 a piece on
silver paper.

Did you get it to work? Are the same size options, menu selections
available on a 1280? Also, are you printing color or b&w? What paper?

thanks,
andy

--- In DigitalBlackandWhiteThePrint@y..., mwesley250@e... wrote:
> Tim,
>
> When you enter a length value in the Epson driver under the "User
> Defined" paper size it will not accept a number larger than the
> maximum listed. I went through the PiezoBW manual and it looks like
> paper size is under the control of the Epson driver.
>
> However, on the Epson side I noticed that while my 1200 is limited
to
> 44", if I put my Epson 1270 or 785 in "Roll Feeder" or "Banner" mode
> I can then go to the "user defined" paper size and specify a length
> up to 129"!! No way to test this out at the moment. This would make
a
> 13" roll option more interesting for the newer generation of
printers.
>
> So with the 1270 on up we can start printing our 13" by 129"
> panoramas! If there is some paper available. You really would have
to
> roll feed this since trying to hand feed a 129" sheet into a 1270
> sounds a little tricky. Even 44" may be a problem.
>
> I am also assuming that with the other ink set, MIS, Spectratone,
> Lyson, etc. length is also limited by the Epson driver. Someone let
> us know if this is not true.
>
> In any case, the ability to print a 13" by 44" panorama on the
> desktop is a huge leap for producing panoramas! Consider the
> difficulty of  printing and processing at this size in the darkroom.
>
> Martin
>
>
>
> --- In DigitalBlackandWhiteThePrint@y..., "Tim Spragens"
> <t.spragens@c...> wrote:
> > I wonder, Martin. I remember in the PiezoBW information that the
> > paper length was no longer limited. If set longer, does the Epson
> > driver refuse it? I assumed it would just truncate the print,
> rather
> > than disallowing a lenght over 44". I've got a roll of Epson
paper,
> but
> > it is too wide for the 1160, so no way to test for sure.
> >
> (snip earlier)



________________________________________________________________________
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Re: Getting started -- Cone or MIS? Look!

2001-10-02 by Ruhrfoto/Bernd L.

--- In DigitalBlackandWhiteThePrint@y..., "Jose Luis Martinez" 
<jlmartinez@s...> wrote:
> Hi all,
 I'm
> also very interested in the 'Piezo driver-MIS FS inks' 
combination, so
> if there's people using this combination, could they elaborate
> more on this? 

Is there any additional adjustments that have to be done
> to get the same result as Piezo inks? metamerism? fading? 
etc.
> TIA!
> Jose Luis Martinez
> Barcelona - Spain

Jose et al,

it was a real plague to print my exchange print (Hoesch 
Stahlwerk, Dortmund) more than 90 times for the ongoing print 
exchange (Shaun, did my package arrive in Brit. 
Columbia??)...and as far as I can look now, I will never print this 
picture again.

But reading all these posts comparing Piezo and MIS I´m happy 
to have done it.
Soon there will be 31 people who will have in their hands 3 
prints of  the same neg/scan
one is done with:  MIS FS ink/Epson driver
one is done with:  MIS FS ink/Cone driver
one is done with:  Piezo ink/Cone driver.

I´m very curiuos what people will find. 
All we have to do is: be a little patient. Can´t last for ever till 
Shaun gets his work done. ;-)
Bernd

Re: Print Exchange, was Getting started

2001-10-02 by Mark Tucker

--- In DigitalBlackandWhiteThePrint@y..., " Ruhrfoto/Bernd L." 
<ruhrfoto@y...> wrote:
> I'm very curiuos what people will find. 
> All we have to do is: be a little patient. Can't last for ever till 
> Shaun gets his work done. ;-)
> Bernd


I agree. When the idea of this print exchange came up, it didn't 
seem like that big a deal. But now that we're about to see the 
results of everyone's prints, I can't wait. It's like Christmas Eve. 
Honestly, I've only seen two other people's inkjet prints, ever. To 
see all these prints, from all over the world, (especially from 
these supposed glorious Europeans printers), is pretty exciting. 
Thanks to whoever dreamed this up. And thanks to Shaun for 
dealing with it all. (I'm sure he's not reading this; he's probably at 
FedEx right now, with 31 boxes in his hands...)

-Mark Tucker, http://marktucker.com

More info on Print Exchange requested

2001-10-02 by William M. Gatesman

Hi, I just joined the list.  What is the print exchange, and how does it
work?
Show quoted textHide quoted text
  -----Original Message-----
  From: Mark Tucker [mailto:mark@...]
  Sent: Tuesday, October 02, 2001 10:52 AM
  To: DigitalBlackandWhiteThePrint@yahoogroups.com
  Subject: [Digital BW] Re: Print Exchange, was Getting started


  --- In DigitalBlackandWhiteThePrint@y..., " Ruhrfoto/Bernd L."
  <ruhrfoto@y...> wrote:
  > I'm very curiuos what people will find.
  > All we have to do is: be a little patient. Can't last for ever till
  > Shaun gets his work done. ;-)
  > Bernd


  I agree. When the idea of this print exchange came up, it didn't
  seem like that big a deal. But now that we're about to see the
  results of everyone's prints, I can't wait. It's like Christmas Eve.
  Honestly, I've only seen two other people's inkjet prints, ever. To
  see all these prints, from all over the world, (especially from
  these supposed glorious Europeans printers), is pretty exciting.
  Thanks to whoever dreamed this up. And thanks to Shaun for
  dealing with it all. (I'm sure he's not reading this; he's probably at
  FedEx right now, with 31 boxes in his hands...)

  -Mark Tucker, http://marktucker.com


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[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Getting started -- Cone or MIS? Look!

2001-10-02 by Todd Flashner

on 10/2/01 10:38 AM, Ruhrfoto/Bernd L. wrote:

> Soon there will be 31 people who will have in their hands 3
> prints of  the same neg/scan
> one is done with:  MIS FS ink/Epson driver
> one is done with:  MIS FS ink/Cone driver
> one is done with:  Piezo ink/Cone driver.


That's VERY generous Bernd! Thanks!

Todd

Re: More info on Print Exchange requested

2001-10-02 by Martin Wesley

William,

A print exchange is simply a group of photographers, 30 seems to be 
the favorite size, who decide to trade prints with each other. Each 
person chooses one of their images and makes 30 identical prints. All 
30 packages of 30 prints are mailed to one person with return 
packaging and shipping. The prints are then shuffled into 30 stacks 
which contain a print from each of the participants and shipped back 
out.

Whoever acts as the moderator or coordinator and does all the sorting 
gets nominated for sainthood.

Since examples of digital B&W are hard to get to see at this point in 
time, this has been a wonderful way to show everyone what is being 
done and to add to your photographic collection.

At the moment an exchange is finishing up and no new ones are in the 
works. Just keep checking and I am sure another one will come round.

Martin

--- In DigitalBlackandWhiteThePrint@y..., "William M. Gatesman" 
<wgates@a...> wrote:
> Hi, I just joined the list.  What is the print exchange, and how 
does it
> work?

(snip)

Re: Print Exchange - very last minute spot available!

2001-10-02 by Shaun Granleese

I'm not at FedEx just yet.... I made the trek down to my US office 
yesterday and picked up 9 packages. I'll do so again this coming week 
and hopefully I'll be able to compile at that point.

So far, the prize for best packing job goes to Siobhan McClory for 
her excellent reusable print shipping box - I need to get one for 
myself. Actually, someone else had something similar, but my 
excitement had worn off by that point! I won't name the worst packing 
job :-)

As with all of the exchanges so far, there have been some last minute 
exits... depressing but inevitable I guess. If there are any very 
enthusiastic printers who want to print and ship this week, let me 
know pronto.

This exchange is by far the most diverse that I have seen in terms of 
materials used - very cool indeed!


Best to all,

Shaun Granleese


--- In DigitalBlackandWhiteThePrint@y..., "Mark Tucker" <mark@m...> 
> Honestly, I've only seen two other people's inkjet prints, ever. To 
> see all these prints, from all over the world, (especially from 
> these supposed glorious Europeans printers), is pretty exciting. 
> Thanks to whoever dreamed this up. And thanks to Shaun for 
> dealing with it all. (I'm sure he's not reading this; he's probably 
at 
> FedEx right now, with 31 boxes in his hands...)

[Digital BW] Re: Print Exchange

2001-10-02 by Carolyn Frayn

I might take that prize for worst job... 'cause the Fed Ex lady actually
packed it with one of their boxes and did a very bad job of it!  Cut, cut,
fold, fold .. arrrgh.

I agree with Mark, it feels like Christmas Eve... very exciting. I have only
seen one other ink jet printers work. It came yesterday and I was stunned at
the beauty of the Piezo BW print!


Carolyn
Show quoted textHide quoted text
> 
> So far, the prize for best packing job goes to Siobhan McClory for
> her excellent reusable print shipping box - I need to get one for
> myself. Actually, someone else had something similar, but my
> excitement had worn off by that point! I won't name the worst packing
> job :-)

[Digital BW] Re: Print Exchange (Stop the Madness)

2001-10-02 by Mark Tucker

--- In DigitalBlackandWhiteThePrint@y..., Carolyn  Frayn 
<carolyn@u...> wrote:
> I agree with Mark, it feels like Christmas Eve... very exciting.


Shaun,

This is not fair! You must immediately call up all the missing 
people and force them to send their prints TODAY! And no more 
posts from anybody else mentioning the Print Exchange -- this is 
cruel and unusual punishment; Chinese Water Torture! The 
President has asked everyone to return to their "normal lives"; to 
starty flying commercial again, and to finish your prints and send 
them promptly to Shaun, even though he's not within our 
borders, but he is a part of NATO. I'm not sure he said it in those 
exact words, but it was in that spirit. It is time for action...

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