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Re: [Digital BW] Exhibition of my photos using IJC in NY

Re: [Digital BW] Exhibition of my photos using IJC in NY

2003-06-05 by Martin Wesley

Nick,

Good luck with the show and congratulations. I wish I was closer so I could
come and see! You'll have to hook up with a San Francisco gallery.

Martin Wesley


----- Original Message ----- 
From: "nick90290" <NickBrandt@...>
To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
Sent: Thursday, June 05, 2003 9:20 AM
Subject: [Digital BW] Exhibition of my photos using IJC in NY


> Hi Everyone
>
> With all the current postings about OPM/IJC right now, I thought I'd
> mention that opening today in Soho, New York,and running for 3 months
> until August 30, is an exhibition of my photos all printed using
> SOLELY OPM/IJC.
>
> If anyone is interested in seeing how good prints can look using the
> software and you're in New York over the next three months, please go
> check out the show.
>
> All the 20'x24' prints - 13 of them - are sepia-toned black and white
> images printed by Joe Berndt at Bowhaus, the main man behind the
> software. We used MIS Ultratones with VM Sepia on Hahnemuhle German
> Etching.
>
> The 12 smaller (12'x15') sepia-toned black and white prints in the
> show were printed by me on my 2200 using the OPM/IJC software with
> Epson Ultrachromes on the Hahnemuhle German Etching paper.
>
> The exhibition is especially satisfying for me because over the least
> few months I have seen photographic dealers and buyers drop their
> prejudice towards digital fine art prints once they saw my work and I
> expressed reluctance to have digital negs made to do silver gelatin
> prints of the photos. Of the 40-odd prints sold in the last three
> months, no-one has requested gelatin.
>
> So if you're interested and in NY at any point, the show is at :
>
> The June Bateman Gallery
> 560 Broadway
> #309
> Soho, NY 10012
> Tues-Sat 11am-6pm
> 212 925 9751.
>
>
> Nick Brandt
>
> ......
>
>
>
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Re: [Digital BW] Exhibition of my photos using IJC in NY

2003-06-05 by nick90290

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Martin Wesley" 
<mwesley250@e...> wrote:
> Nick,
> 
> Good luck with the show and congratulations. I wish I was closer so 
I could come and see! You'll have to hook up with a San Francisco 
gallery.
> 
> Martin Wesley
> 
> 
Hi Martin

Thanks for that. Actually, I am also with a San Francisco 
gallery/dealer  - Debra Heimerdinger (Fong/Heimerdinger Gallery), who 
is lovely. 

A portfolio of 12"x15" prints using the 2200 with IJC is available
for viewing there, at the Fong/Heimerdinger Gallery on Market Street. 
However, these don't look as good as the NY photos, because after 
working on the photos with Joe at Bowhaus on the NY exhibition in the 
last month, he taught me so much about avoiding graininess (I had
been using Levels way more than I should have, incurring unecessary 
grain) that all the photos from the NY exhibition have been pretty 
much re-worked from scratch and look much better/less grainy.

N

Re: [Digital BW] Exhibition of my photos using IJC in NY

2003-06-06 by Martin Wesley

----- Original Message ----- 
Show quoted textHide quoted text
From: "nick90290" <NickBrandt@...>
To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
Sent: Thursday, June 05, 2003 10:21 AM
Subject: Re: [Digital BW] Exhibition of my photos using IJC in NY


> --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Martin Wesley"
> <mwesley250@e...> wrote:
> > Nick,
> >
> > Good luck with the show and congratulations. I wish I was closer so
> I could come and see! You'll have to hook up with a San Francisco
> gallery.
> >
> > Martin Wesley
> >
> >
> Hi Martin
>
> Thanks for that. Actually, I am also with a San Francisco
> gallery/dealer  - Debra Heimerdinger (Fong/Heimerdinger Gallery), who
> is lovely.
>
> A portfolio of 12"x15" prints using the 2200 with IJC is available
> for viewing there, at the Fong/Heimerdinger Gallery on Market Street.
> However, these don't look as good as the NY photos, because after
> working on the photos with Joe at Bowhaus on the NY exhibition in the
> last month, he taught me so much about avoiding graininess (I had
> been using Levels way more than I should have, incurring unecessary
> grain) that all the photos from the NY exhibition have been pretty
> much re-worked from scratch and look much better/less grainy.
>
Nick,

I'll try to get up to SF to take a look. The Fong gallery is quite
prestigious. If galleries of their status are handling digital prints I
would definitely say the barriers are coming down. Thanks for blazing a
trail!

Martin

Re: [Digital BW] Exhibition of my photos using IJC in NY

2003-06-09 by mjcreedonryan1

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Martin Wesley" 
<mwesley250@e...> wrote:
> ----- Original Message ----- 
> From: "nick90290" <NickBrandt@a...>
> To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
> Sent: Thursday, June 05, 2003 10:21 AM
> Subject: Re: [Digital BW] Exhibition of my photos using IJC in NY
> 
> 
> > --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Martin 
Wesley"
> > <mwesley250@e...> wrote:
> > > Nick,
> > >
> > > Good luck with the show and congratulations. I wish I was closer 
so
> > I could come and see! You'll have to hook up with a San Francisco
> > gallery.
> > >
> > > Martin Wesley
> > >
> > >
> > Hi Martin
> >
> > Thanks for that. Actually, I am also with a San Francisco
> > gallery/dealer  - Debra Heimerdinger (Fong/Heimerdinger Gallery), 
who
> > is lovely.
> >
> > A portfolio of 12"x15" prints using the 2200 with IJC is available
> > for viewing there, at the Fong/Heimerdinger Gallery on Market 
Street.
> > However, these don't look as good as the NY photos, because after
> > working on the photos with Joe at Bowhaus on the NY exhibition in 
the
> > last month, he taught me so much about avoiding graininess (I had
> > been using Levels way more than I should have, incurring 
unecessary
> > grain) that all the photos from the NY exhibition have been pretty
> > much re-worked from scratch and look much better/less grainy.
> >
> Nick,
> 
> I'll try to get up to SF to take a look. The Fong gallery is quite
> prestigious. If galleries of their status are handling digital 
prints I
> would definitely say the barriers are coming down. Thanks for 
blazing a
> trail!
> 
> Martin

>I'll try to get up to SF to take a look. The Fong gallery is quite
> prestigious. If galleries of their status are handling digital 
prints I
> would definitely say the barriers are coming down. Thanks for 
blazing a
> trail!
> 
> Martin

	Martin,
	I was pleased to scan and print some work for Julia Parker who 
recently had an exhibition at the prestigious Fong/Heimerdinger 
Gallery in San Francisco.  Julia's 30x40 art works were printed on an 
Epson 9000 using Generations G4 pigment inks on Hahnemuhle German 
Etching paper.  Julia's art was well exceptionally well received in 
the Bay Area.
	Considering Ansel Adams started the photography department at the San 
Francisco Art Institute it is of some historical consideration that 
SFAI if offering this Summer 2003 the following course of study.

http://www.photoalliance.org/graphics_email/sfai/PhotoAlliance.gif> is
pleased to announce
these special photography workshops offered at
The San Francisco Art Institute
to SFAI students and the community

Summer Photography Workshops
  <http://www.photoalliance.org/graphics_email/sfai/line.gif> 
The San Francisco Art Institute is inviting you to enroll in one or a 
series
of photography workshops this summer. Students may register for these
workshops on a credit or non-credit basis beginning May 12, 2003. To
register call 415,749,4554

Fine Art Digital Imaging (3 weeks) DM-220-06

Joseph Holmes & Michael Creedon	  	
Credit Tuition (C):	 $2,980	
Non-Credit Tuition (NC):	 $1,490	
Lab Fees:	 $100	

Part One: June 16-20, M-F 9:00-12:30 / 1:00-4:00
<http://www.photoalliance.org/graphics_email/sfai/004-Nankoweap_opt.jp
g> 
A workshop with an emphasis on Epson professional printers and 
comprehension
of color management with Joseph Holmes, 
the creator of Ekta Space PS 5, author of ColorBlind Prove It! 
software 
and three photography books. Topics covered during the five days will
include: understanding film and image capture, digital camera systems; 
color
management; imaging workflows for fine printing in color; scanning 
issues
and goals for excellent scans; image editing; printer and printmaking
issues; offset lithography; printing presses and other lithographic 
systems.


Part Two: June 23-July 04, M-F 9:00-12:30/1:00-4:00
<http://www.photoalliance.org/graphics_email/sfai/garden20_opt.jpg> 
A two-week session in SFAI's Center for Digital Media and 
Photography Department's Digital Darkroom with Michael Creedon. 
One-on-one
attention to the quality of the printed image and in-depth exploration 
of
the topics from part one of this class. Scrutiny of scanning, 
introduction
to profile making, aesthetics of paper choice and ink use will be 
emphasized.  
	Two Epson 3000 printers using the R-9/Sundance/Piezography RIP along 
with MIS FS pigment inks will be used for black and white print output 
on many fine art substrates. Prints to 16x20 can be printed with fine 
tuning of this particular printer an important aspect in this course 
of study.
	Two Epson 7500's along with the possible 7600 printer will also be 
employed for the fine art photographer.


Space is limited! For more details or to register call
The San Fra

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