From reports on the Imageprint yahoo group, it sounds like version 6
of IP may give greater ability to tone and colorise black and white
images but without losing the benefit of nil metamerism. There was
talk of being able to run a colour profile and a grey one at the same
time on a single print so that where R=G=B it used the grey profile
but for everything else it used the colour - so you get the benefits
of colour but pure neutral greys.
--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Tom Baker
<tbaker1328@s...> wrote:
> Ken -
>
> The 'toning' with IP is quite nice and very precise. The tone
ranges from cool to warm, and moss to mauve. At least w/IP5.6 you
can't really get a platinum tone. But, the control is very precise.
>
> As for the RGB considerations, you can actually feed IP an RGB
file, and have it print it with a gray ICC paper profile. That works
fine. I can't really see much difference between feeding IP an RGB
or grayscale file printed with the same gray paper profile. You can
certainly do everything you are doing today with respect to the RGB
work and still print neutral b&w with IP. (IP gets a little strange
when you feed it a gray profile and try to print with a color paper
profile, however.)
>
> If you want/need to print color and b&w on the same printer, IP is
a great way to go. With the realization that judging quality and
desirability of what we turn out is largely subjective, many people
that see the IP b&w side by side with the dedicated b&w systems find
the results at least equal. Some prefer the tonality that you can
get with IP over the MIS or Cone inks. And, some the other way. In
short, the IP b&w produces a good product. The color is equally as
good, although the difference between the IP color output and the
Epson color output is not as great as the b&w.
>
> If you are really interested in a platinum look, you might explore
the "pure carbon" inks that Paul Roark has been working with. I've
seen a couple of Paul's pure carbon prints, and for subject matter
that would lend itself well to platinum, the pure carbon is really
beautiful. I can't match that look with IP. I've been tempted to
buy one of Paul's excess printers just to do the pure carbon printing
on. I probably won't, just because of room (I've already got a 9600
and several HP printers) considerations. But, the cost of dedicating
a printer to that use is not great.
>
> Tom Baker
>
> Ken Carney <kcarney1@c...> wrote:
> Tom: Thanks for this info. I too am considering purchasing the IP
rip for
> my 2200. I want to use the Epson inks since I often like to tone
the prints
> slightly. I was thinking that with IP I would have only one
printer and be
> able to print neutral b&w and toned prints, as well as color.
By "toned", I
> mean a print somewhat cooler or warmer than neutral, or maybe even a
> platinum or sepia tone. Though I don't have it handy, I recall
that IP
> allows an adjustment for warmer or cooler prints. Do you know if
this
> requires an RGB file, and hence some unpredictability in the
outcome, as I
> gather from your explanation. I have worked in RGB since I'm fond
of
> PhotoKit Sharpener and PhotoKit, which require RGB files. It seems
I could
> as a final step convert to grayscale, but does that mean I'm cut
off from
> selecting warmer or cooler prints in IP? Or worse, not converting
from RGB
> and having unwanted color casts from a sepia or platinum "toned"
print. I
> have never used a rip before, so will be grateful for any comments,
even
> though I probably haven't phrased the questions properly. The IP
rip seems
> like a fair price considering all the profiles. Thanks for any
help.
>
> Regards,
>
> --Ken Carney
> www.kencarney.com
>
> > -----Original Message-----
> > From: Tom Baker [mailto:tbaker1328@s...]
> > Sent: Sunday, January 25, 2004 11:44 PM
> > To: DigitalBlackandWhiteThePrint@yahoogroups.com
> > Subject: RE: [Digital BW] Re: Photoshop CS/B&W
> >
> > Paul -
> >
> > IP uses 'standard' ICC profiles. The profiles are done by
> > Colorbyte, and are provided free to IP users. One could
> > spend the money to have custom profiles made, but I've only
> > heard of one or two people that thought the custom profiles
> > were better.
> >
> > The point I was trying to make is that while IP produces b&w
> > prints that are dead on neutral with the gray files and gray
> > ICC paper profiles, it can not, as is the case with Epson as
> > well, produce a neutral b&w print from an RGB profile that
> > has been converted to have all of the R, G, and B values
> > equal. In theory, this should be able to produce a neutral
> > b&w print, but it doesn't happen. Once the same file is
> > converted to a gray file (Gamma 2.2 would be typical, I
> > believe) and printed with a gray paper profile, all is well.
>
>
>
>
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